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Six Important Industrial Bands

In the recession and strike-addled late ‘70s, UK art terrorist Genesis P-Orridge coined the phrase “industrial music for industrial people” to describe a new blues for the worker–music distilled from the numb monotony of the assembly line and the restless thoughts that make sleep impossible after work. However, it is doubtful that the average proletariat could relax to this stuff, with its soundtrack of drills, screeches, snaps, grinding gears, synths dripping blood, snippets of atrocities, and images of an androgynes in fascist garb dancing in the streets.

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Our Culture is Our Resistance

In Guatemala, mourning is a privilege, as are the official recognitions of bereavement: a certificate of death, a grave with a marker, a funeral service. Particularly during the early 1980s, Guatemalan peasant and indigenous communities mourned collectively, and on the run. There was no time to bury the bodies of loved ones, victims of a 36-year-long armed conflict the government used to validate its atrocious acts of genocide. Things happened in a flash: the army attacked villages, murdered everyone they could catch, and burned what was left. Read more » 

Out Hud: Say Anything

Rumors abound about Out Hud. That they have a drum machine named Phyllis. That they changed their name to !!! when they got signed to Warp Records. Whether it’s their perpetual instrument-swapping or certain associates’ membership in the seven-piece punk-dance outfit !!!, people just can’t seem to get their facts straight when talking about these New York-via-Cali dub ‘n’ dancefloor deconstructionists.

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Jeff Chang's Hip-Hop History

You may not be able to tell from mainstream media’s bling saturation, but hip-hop was not birthed in the back of a Hummer. It was borne out of urban collapse and draconian cutbacks that reduced much of the Bronx to rubble. In that atmosphere DJs, MCs, b-boys, taggers, and gangbangers raged against the callousness of Carter and Reagan and turned it into a worldwide phenomenon.

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Edan: Psychic Out

Look closely at the cover art of Edan’s Beauty and the Beat–a pastiche of swirling colors with Prince Paul, Flavor Flav, and an assortment of old school hip-hop heads draped under ill-fitting afros and mod hairdos–and you might find the 30-minute whirlwind that is the MC/DJ/producer’s second album encapsulated in a nutshell.

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