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John Tejada: Of Sound Mind

John Tejada is searching through a copy of his latest CD, Cleaning Sounds Is a Filthy Business (Palette), trying to find this one track he likes to play in his DJ sets. "No, it's not that one," he mutters, hitting the skip button. "I always get all the titles mixed up. I've always been bad at my own titles."


Unai: Ethereal Romance

After dawn breaks over the quaint university town of Uppsala, Sweden, many residents find themselves sharing their morning with Erik Möller. An anchor for Swedish National Radio, he kickstarts weekdays with news, weather, and traffic, enunciating with the type of steely efficiency many assume is a national character trait.


Flying Lotus' Artist Tips

L.A.-based instrumental hip-hop sculptor Flying Lotus (a.k.a. Steve Ellison) is a concept man first, gear hound second. His opus, 1983, is entirely indicative of that recording philosophy, and you'll hear how his eerie, electro-fractured sounds are hardly the product of Guitar Center-studio foolery. Instead, they come from a place of mental organization, far away from the world of gear shops and plug-in downloads. Here, Ellison walks us through some important components in making a Flying Lotus recording.


Border Community: Future Frontiers

Perhaps no label in 2006 more distinctly reflected the fluidity of musical tags and genres than James Holden's Border Community. The nascent imprint is all things to all people. It's a techno label, an electro-house label, a psychedelic prog-house label, an indie label, and it even stands a chance of reclaiming the much-maligned T-word (ahem, "trance") back from the likes of Paul Van Dyk and Oakenfold. Read more » 

Final Fantasy LARPs Out Loud

If you thought Rush was geeky–with their hockey-hair mullets and myriad references to wizardry–then you haven't met fellow Canadian Owen Pallett. The 25-year-old Torontonian, who records strikingly original violin compositions and breathy vocals under the moniker Final Fantasy, attempts to "remodel fantasy fiction as a musical medium, and one that is satirical," he says. Central to Final Fantasy's aesthetic are '80s videogames, Lewis Carroll, and Gore Vidal's Duluth.


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