Somewhere in the backwoods of Vermont there is an asylum for kids the '80s forgot: the boy who played so much Qbert he started seeing everything as a series of blocks, the girl who ingested the hair of 100,000 troll dolls, the gay twins who (after huffing too much hot pink tempera paint) turned a McDonald's Hamburglar toy into a fierce killing machine. Read more »
Turntablism has shared a close relationship with avant-garde jazz, classical and experimental music, as deejays have tweaked decks to create expansive compositions that are far from the instrument's hip-hop battle roots. Artists continue to expand the repertoire, from DJ Quest's Live Human band to DJ Radar transcribing scratch notation for orchestras, to turntable experimentalists like Janek Schaefer and Christian Marclay. Read more »
A pride of lions. A parliament of owls. A school of fish. A flock of seagulls. Each of these collective nouns implies an assemblage of animals (or, in the case of flock of seagulls, an assemblage of righteously bad hair). But study the quartet Animal Collective and you will discover four contrarians that feel no need to always run as a pack, though they are prone to indulge a wild hair or 10.
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"Yes, my name really is Nathan Fake," confirms the UK-based wunderkind and "country bumpkin" whose beguiling, mildly pastoral take on techno has seduced the likes of Superpitcher, Adam Beyer and Rob Da Bank (into the inclusion of his tracks on mix albums), as well as Kompakt's Michael Mayer, Steve Barnes and Dominik Eulberg (into remixing him). Read more »
It's been about a decade since the Wu-Tang's most shadowy warrior revealed his face, turning Raekwon's Only Built 4 Cuban Linx into a surreal, coke deal-fueled coming out party before staking his claim as the Clan's rawest talent on his solo debut, Ironman. A half-decade later-with hip-hop in a slump and an inventive major label rap record seeming as plausible as Ralph Nader for president-Ghost made the new millennium's first ghetto classic: Supreme Clientele.
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