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Mogwai: Louder Than Bombs

Things fall apart. Entropy, disintegration, call it what you will. It doesn't really matter. Because in the hands of the Glasgow quintet Mogwai, any attempts at fixed or invented meanings are parried and ruthlessly ridiculed. Their song and album titles, though seemingly charged with suggestion, are usually slapped on at the last minute and are, in fact, meaningless.

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Ketamine House: Into the Hole

Techno's latest sub-genre is as unstable as the sounds being used to make it, and already people are arguing over a name for it. Read more » 

Parra: Amsterdam's Most Wanted

To find Parra, you first have to find an 18-letter street: Nieuwsijdsvoorburg. Hang a left and look for the sneaker freaks talking outside the Patta store on their high-tech Japanese cell phones. Go inside, past Gee caressing some limited edition Nikes and the sounds of Mr. Wix booming hip-hop in a backroom studio, up some narrow stairs and into a room cluttered with boxes and boxes of shoes, posters, a discarded CPU and a clothing rack booming with the purple and green t-shirts of Parra's four-year-old Rockwell clothing line. Read more » 

Metope: Vodka Obsessions

For all the playfully plunked pop beats and quirky crunching textures synonymous with Cologne's Areal Records, Kobol, the debut full-length from label honcho Metope (a.k.a. Michael Schwanen), plays it big and twisted; booming, chugging and hissing along as if destined to rock the haunting expanses of pre-dawn warehouse parties. But despite its forward-charging determination, Kobol is equal parts melodious and melancholic. Read more » 

Franck Roger: Paris Goes West

Paris really was burning in November...with the real fires of rioting immigrants. But no matter how hot things actually get, Parisian producer and DJ Franck Roger keeps it cool with his own take on deep house. "I grew up with all kinds of music, and I realized that house music is the perfect mix between soul music, disco and Latin jazz," recounted Roger via email the same week that France was filled with unrest. If only everyone would keep their mind as open as Roger's, who even cites Cuban percussionist Mongo Santamaria as one of his influences.

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