To most record labels, signing Pittsburgh rock 'n' roll iconoclasts The Dirty Faces would seem like a bad bet. Their music is too experimental–feedback-laden and lyrically post-ironic–for staunch rock fans, but so rife with Iggy Pop and AC/DC gee-tar nods that the black-framed-glasses set cringes. The band's image? Read more »
Fans–whether of sports or music–say a lot of things, not all of them nice. They say the second title is the toughest, that the hardest thing is a repeat. And they repeat these axioms 'til they hammer harder and heavier than any linebacker.
Some teams flare up and out, achieving a pyrrhic victory. Then there are countless tales of bands and ballplayers sacked just short of expectations, no matter how many two-a-days they ran.
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Following in the footsteps of 2 Live Crew and JJ Fad, Gold Chains and Gravy Train!!!, Snap and Lil Jon, a new club rap canon emerges, guided by the same bass-inundated party-and-bullshit ethos, but availed of above-average vocabularies and high-speed internet connections. Meet Philly's off-the-cuff MC Pase Rock, who many know through frequent appearances with Spank Rock and potty-mouthed partner-in-rhyme Amanda Blank. Brooklyn's Bunny Rabbit and Black Cracker are the sonic incarnation of Williamsburg attitude with their cynical wordplay and sinister beats. Read more »
Any visitor to the nation's capital knows there are plenty of walking tours to be taken, spiraling around monuments, museums, and the eight million buildings that make up just the Department of the Treasury. But the tours given by Yellow Arrow, a tech-savvy group of psycho-geographers, tell a much different story. Yellow Arrow's mission is to have the people of DC tell their own histories; they've marked a series of super-personal sites with yellow arrow cut-outs, each of which corresponds to a phone number. Read more »
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