It’s a special moment when a person’s art makes you step back and say, “Whoa, what the fuck happened to this dude when he was a kid?” Jared Buckhiester’s illustrations and photographs tell the story of that kid. But the tale he weaves isn’t one of pain and suffering, and he doesn’t wallow in clichés, despite growing up gay in a suffocating Southern Baptist community near the North Georgia Mountains. Read more »
William Gibson, an original cyberpunk, once stated that “the future is already here, it’s just not evenly distributed.” But if it’s already dropped, who exactly is making it? Gibson would probably say it’s bubbling up from “the street,” like this issue’s reggaeton and baile funk. But some of the most radical and significant works of today are hurtling in from other trajectories besides the music world, including places such as galleries, laboratories, and the net.
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Charles Spencer’s studio–a few doors down from Jay J. Hernandez and Chris Lum’s famed Moulton Street complex in the Polk Gulch district of San Francisco–also houses a medical marijuana dispensary. Out on the street, the pedestrian traffic turns from midday casual café dwellers to nighttime bar revelers and finally, around 1 a.m., to a myriad of multi-gendered sex workers. Read more »
Singing, dancing, acting, and all that jazz–Verna Francis can do it. From playing Miss Sherman for two years in a West End production of Fame to giving Nathan Haines’ “Earth Is the Place” its distinctive vocal flair, Francis’ talent is as big and broad as her rich voice. Her range and emotive delivery make her sound like a house or broken beat cousin of Whitney Houston or Chaka Khan. Read more »
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