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Components: The month's wrap-up of the best in music-making gear

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London's Mount Kimbie Takes Dubstep Over the Bro-Step Hump

The Music of London-based duo Mount Kimbie, whose unique homespun style incorporates ambient, techno, dubstep, and found sounds, is so difficult to pin down, that when they sent out their first demo, "Paul [Rose, a.k.a. Scuba] was the only person who got back to us," Dom Maker, one half of the band, informs. Read more » 

Tensnake: A Hamburg Producer Slithers Between Bygone Eras and Funky Sounds.

Marco Niemerski, the Hamburg, Germany native known musically as Tensnake, doesn't mind when people point out his influences—he is, indeed, trying to make his music sound like the records he loves. "I get really excited when I come close to a point where it sounds like that," he says, and this excitement translates viscerally into the irrepressible joy that his tracks evoke on the dancefloor.

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Artist Tips: Diskjokke

Oslo-based space-disco producer Joachim Dyrdahl has made a name for himself as Diskjokke with releases on Prins Thomas' Full Pupp label as well as Get Physical sub-label Kindish. A classically trained violinist and math whiz, Dyrdahl's approach to beat-making is best described as holistic, incorporating influences that range from country music to early Italo. Read more » 

Thousands of Miles and Decades Removed from the City's Glory Days, Robert Hood Takes the Spirit of Detroit into the Future

When Robert Hood came of age in Detroit, radical change was in the air. People, ideas, and product were on the move. The 1960s and '70s were marked by political and cultural swings, growing black empowerment, and abandonment by second- and third-generation ethnic whites on one hand; urban guerrilla creativity busting out across the racial spectrum on the other. Read more » 

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