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Jackie's House: Steffi

Given XLR8R's San Francisco roots, Jackie House (a.k.a. Honey Soundsystem co-founder Jacob Sperber) is someone we've known for quite some time. Besides throwing some of the city's best parties, Jackie can always be counted upon to deliver whip-smart (and often hilarious) commentary about the electronic music sphere without relying upon the stuffy sensibilities and bland dialogue that often governs such discourse. As such, we felt she'd be the perfect addition to the XLR8R team, and have created a new column, 'Jackie's House,' in which she can banter with artists in her own unique way. Read more » 

Beats in Space: An Oral History

This month marks the 15th anniversary of Tim Sweeney's seminal radio show Beats in Space. Beginning as an inauspicious weekly gig where Sweeney played records he loved to an audience that may or may not have been tuning in, the show has gradually developed into a global institution, playing host to many of the world's finest DJs and reaching listeners far beyond the small New York University basement from which it is broadcast. Last week, Sweeney issued a two-CD mix compilation to commemorate Beats in Space's 15th birthday, but we wanted to find out more about what's involved in keeping a radio show on the air for so many years. As such, we caught up with Sweeney and a cast of characters involved with the program throughout its run to discuss Beats in Space, its history, its legacy, and what exactly makes the show's unique host tick. Read more » 

Get Familiar: thePeople

In the rapidly evolving world of electronic music, it's all but impossible to keep track of every new artist, label, party, and genre. At the same time, certain names will inevitably pop up again and again at the XLR8R office, some of which we've only given passing mention to on the site. In an effort to get our readers up to speed with some of the things—both new and old—that we've been digging lately, we recently launched a new feature series called 'Get Familiar,' which aims to shine a spotlight on subjects we think are worthy of a little more attention.

For all intents and purposes, thePeople is a house music party—one that focuses on tracks rooted in African and Latin rhythms as well as the more soulful and jazz-informed ends of the genre. Helmed by a DJ collective of sorts, thePeople is centered around a monthly event that began in Oakland, California in the fall of 2007, and in its current form, takes place on the fourth Saturday of the month at The New Parish. "When we started, you could not build big parties in Oakland off house music," resident selector and thePeople co-founder Cecil Carthen (who DJs and produces simply under the name Cecil) says of the party's beginnings. "Now, a lot of those people who were so-so on the music when we first started are like, 'lt's all about the music,'" he adds. "They're diehards." Read more » 

Hi-Five: Juju & Jordash Select Their Favorite Jazz Tracks

This week, Amsterdam-based duo Juju & Jordash (a.k.a. Gal Aner and Jordan Czamanski) is releasing Clean-Cut, its fourth full-length and the follow-up to 2012's stellar Techno Primitivism. Touted as a "tighter, more honest" affair, the new album once again finds the Israeli-born pair utilizing its impressive hardware arsenal and crafting tracks with a uniquely improvisational approach. Of course, Aner's and Czamanski's ability to work on the fly didn't come from nowhere; the two have been making music together for years, and both have extensive jazz backgrounds. And while this biographical factoid has often been mentioned in articles and conversations relating to Juju & Jordash, the duo has rarely been asked to elaborate on its love of the genre. As such, we took the opportunity to ask Aner and Czamanski to put together a list of some of their favorite jazz tunes for the latest edition of our Hi-Five series. Read more » 

The Story of Barnt: The Cologne Producer Dishes on His Debut LP, His Oddball Reputation, and His Former Life as a DMC Contender

With very little fanfare, Daniel Ansorge (a.k.a. Barnt) has become something of a standout producer over the past few years. It's because his metallic techno, whether weird or abstract, escapist or psychedelic, always feels somewhat at odds with the norm. It's been that way since he debuted in 2010, and is still very much the case throughout his debut album, which drops next week. (For those who can't wait, it's worth noting that the LP is currently streaming in full exclusively here on XLR8R.) Read more » 

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