If you catch Jon Santos busting a jit at a Manhattan warehouse party, then consider yourself lucky. When 32-year-old Santos isn’t holed up in his Chrystie Street studio working on one of a dozen projects, he’s usually traveling the world. Case in point: He’s just come back from Hong Kong, where he was supervising the printing of an art book he curated on the theme of “resurrection,” and Tokyo, where he shocked tastemakers by showing them work he did for Phil Collins’ farewell tour. Read more »
On October 26, 2006, Detroit's newest contemporary art museum, MOCAD, opened its doors to the public with a show called Meditations in an Emergency. The most compelling part of the exhibition was not Roxy Paine's blob-making or Barry McGee's and Amaze's 30-foot high graffiti pieces–it was a one-man 1960s-style reggae soundsystem.
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In 1992, Kicks Like a Mule's "The Bouncer" was released on Tribal Bass Records, a label owned by British ragga techno vocalist Rebel MC. It was made by XL Recordings founders Nick Halkes and Richard Russell, who would make The Prodigy a household name before subsequently signing M.I.A. and Basement Jaxx.
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House music has eccentric artists aplenty, but few can consistently turn out tracks with the twisted humor of Greenskeepers and keep a straight face. A live house outfit from Chicago, started by former golf caddies Nick Maurer and James Curd, the group delivers serious, floor-burning funk amped up with silly and endearing lyrics. Read more »
Imagine yourself at a warehouse party in downtown L.A. The lead singer of Good Charlotte is here, and Fez from That 70's Show is kicking it with three girls from Steve Aoki's "Top 8." A dude with a complicated haircut is doing a drunk slip 'n' slide over spilled beer on the dancefloor. This is a cool party–at least, it looks that way from the pictures.
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