The living room has always been an integral facet of Barbara Morgenstern's aesthetic, both literally and figuratively. The Berlin-based electronic singer-songwriter-producer–known for her hushed and huddled organ tones and crisply sequenced wisps–emerged as part of the mid-'90s DIY Wohnzimmer ("living room") movement, where artists hosted informal concerts throughout the diffused squats of the former East Berlin. Read more »
Holy Fuck, as founder Brian Borcherdt likes to say, is all about "chaos." The noise/dance outfit's mission statement involves "no songwriting" and no practicing, and if someone can't make a gig, they'd rather recruit a new band member than cancel a show. The four core members come from rock backgrounds–Borcherdt was in party rockers By Divine Right, Kevin Lynn in the dubby King Cobb Steelie–but they consciously stay away from guitars and avoid anything that resembles pop. Read more »
Were it not for Andy Warhol's interest in the avant-garde, we'd have no Velvet Underground and Nico. Had the art programs at St. Martin's College and Leeds University not churned out more than just painters and sculptors, Brit pop and post-punk wouldn't be the cultural forces that they became. Does art-pop patronage still exist today? But of course! Here we allot 15 minutes to some of our favorite graphic designers' pet projects.
1. UPSO (a.k.a. Dustin Amery Hostetler)
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From learning to operate a turntable while still in diapers in Detroit to recording his second LP in an L.A. hospital bed, James "Jay Dee" Yancey's life was consumed by music. Unsurprisingly, this deep-rooted connection colored the esteemed producer's death as well. Read more »
In the world of underground hip-hop–where purity is God and progression is often looked upon with scorn–it's quite rare to see artists ditch the formula with which they've made their name. But A New Dope, the fourth LP from Boston-based MC/DJ combo 7L & Esoteric, finds the duo engineering a stylistic switch-up of the highest order.
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