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Aspohdel's Bold Control Center

One day, this too will all be obsolete. Why? Because San Francisco's Recombinant Media Labs–built by Asphodel label heads and industrial music experimenters Naut Humon and Mitzi Johnson–puts into question everything you've ever thought possible about composing, recording, and performing electronic art. And in the years to come, they'll likely top themselves again.


MIDI Mafia In The Studio

Since the mid-'60s, production teams like Gamble & Huff and Holland-Dozier-Holland have masterminded the regional innovations and aesthetics behind R&B and soul. Studio partnerships like Jimmy Jam & Terry Lewis, The Bomb Squad, The Neptunes, and MIDI Mafia are all cast from that old blueprint, stamping their production style into veritable empires within the pop music landscape. Read more » 

Squarepusher: Melody and Method

Sadist. Self-saboteur. Shit disturber. Over the years, Tom Jenkinson has been called all of the above, sometimes by his beleaguered fans. Like a jazz drummer who refuses to lay in the pocket, his discography's 11-year arc has been winding and evasive; to the frustration of many, the Chelmsford, UK-born musician has made an art of dabbling in subgenres just long enough to prove his ability before moving on.


Anja Schneider: Maximum Mobilee

It's somewhere in the wee hours at Barcelona's Raum club, and Anja Schneider helms the turntables, grinning ear to ear. She has reason to smile: tonight's party, a pre-Sónar showcase for her Mobilee imprint, is packed wall-to-wall and going wild. The fledgling label is less than two years and two dozen releases old, and none of its artists are household names, even for die-hard techno insiders; nevertheless it's built its rep–as one of the bright lights of the new generation of "minimal"–into a pretty maximal buzz. Read more » 

Sasse: Multiple Personalities

Amidst the influx of electronic music producers claiming Berlin as their new home, Sasse Lindblad is what you might call an early adopter. The 33-year-old producer moved there in the late '90s to take advantage of what didn't exist in his native Finland: low rents, great clubs, and a thriving, diverse culture. "The most important thing is the chilled surroundings where I work," he says. "Prenzlauer Berg, where my studios are, is more like a village inside a huge city. Very nice and relaxed, but still very productive."


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