Twenty-four-year-old Matt Kimmel gets a rush from discovering obscure bands. But he's noticed that even in a hyperlinked world, deserving artists go unappreciated–hence the inspiration to start Melted Mailbox, a new psychedelic singles club. "It's a low-tech solution to the modern problem of finding out about new bands," says Kimmel. "If you like experimental music, and you like your mailbox, there's no reason not to sign up."
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London-based artist Ian Wright may be a man of few words, but with over two decades of work under his belt, he can afford to let his imagery do the talking. While still unknown to many, Wright has carved a careful niche for himself over the years, using a variety of media and techniques to translate sound into images for countless commissions. From his work for Pete Townshend, Black Uhuru, and On-U Sound to his album sleeves for Factory Records and Cabaret Voltaire, Wright has made his mark on music culture.
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Raving in Greece isn't quite like raving anywhere else. You're less likely to end up at an afterparty than to find yourself at an all-night diner on the outskirts of the city, where vintage jazz and recent R&B take turns on the stereo while you crouch on Turkish cushions, eating salty crepes. The crowds are different, too, there's no jaded "been there, done that" feeling, because many partygoers are doing it all for the first time.
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Like the finest jazz, the best dub is a product of fruitful collaboration–and few artists know this as well as the New York-based trio Roots Tonic. Not only do members Josh Werner, Aaron Dugan, and Jonah David provide the back-up strength for Hasidic reggae superstar Matisyahu, but members have found themselves in the studio or on stage with everyone from John Zorn to Coco Rosie to Talib Kweli to Dr. Israel. Read more »
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