San Francisco's Delphi Collective adds a humble touch of class to an over-hyped design world. In the past four years, Matt Irving's company (which encompasses a t-shirt line, an online portal, and a design house) has logged some serious coups, including the Nike Hunter Dunk, board graphics for Stereo, and a shoe and signature series of boards for Element. Irving is also involved in Umbrella Market, an online shop for one-of-a-kind items by Jeremy Fish, Mars-1, and others. Read more »
Since 1998, the duo known as People Under the Stairs has been purveying down-to-earth hip-hop ideal for backyard barbeques and cruising down the avenue. For Thes One and Double K, it's always been more about banging out the funk than bending your mind with rhymes. But things change, even for PUTS.
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In 1994, LA-based artists Dont Rhine and Marco Larsen formed Ultra-red, a collective of musicians and activists that defined the culture-jamming ideals that made mags like Adbusters and artist Shepard Fairey so popular. Since then, Ultra-red has grown to include numerous artists and community organizers from a variety of political struggles. Read more »
"Ann Arbor is like a soundclash," says Michigan native Dabrye, while chiseling away at his veggie enchilada from inside San Loco, a Mexican joint on New York's Lower East Side. Taking some time off from his beloved job manning the counter at jazz and soul retail outpost Encore Recordings back in Ann Arbor, Tadd Mullinix is in New York to talk to XLR8R about his new Ghostly International release, Two/Three. But first he's content to wax poetic about the place he calls home; a city with so much green they call it "Tree Town."
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In 1968, Hugh Masekela experienced what some would consider a career apex. The South African trumpet and flugelhorn player came to the US in 1961 to study at the Manhattan School of Music. Seven years later, his single "Grazing in the Grass," which eventually sold four million copies, hit number one in the charts. But he wasn't completely thrilled.
"Being an anti-establishment person, that didn't really intrigue me that much," he says. "I thought [the label execs] were fucking squares and exploitative."
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