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Whitey: Causing an Electro-Rock Riot

By his own admission, the electro-rock powerhouse named Nathan J. Whitey is a lazy, alcoholic bookworm. “I’ve spent most of my life either drunk or reading, but I learned how to play instruments in between,” he says, before detailing his new regime. “I drank nothing but Jack [Daniels] for years, but I realized it was making me fat and stupid. Read more » 

Boom Bap Project on Rap's Formulas

“The goal of the Boom Bap Project is to preserve the hip-hop culture through music,” proclaims MC Karim, known as Nightclubber Lang to those who have helped him and his Boom Bap comrades Destro and DJ Scene build a solid rap foundation in the underrated Pacific Northwest scene. “We came up with the name upon when we decided to make an album chock-full of hard beats and rhymes, true hip-hop shit. The name was not chosen as an homage to anyone or anything, but describes what you’re gonna get from us musically.”


Monika Enterprise: Offbeat Electronics

Germany’s Monika Enterprise arose from living rooms full of refugees. Label founder Gudrun Gut remembers “the Wohnzimmer [living room] scene” of 1997, when homespun venues were some of the only places for underground electronic artists to play in Berlin (as DJs were only welcome in so many techno clubs).


Jenny Toomey: Defending Artists' Rights

Jenny Toomey can’t seem to sit still. I can hear all manner of clanking and shuffling in the background as she answers my questions over the phone. But that’s the kind of activist she is: never resting, never quitting. It’s how she was raised: “My parents were very political,” she confides. Read more » 

Technarchy: Exploiting Technology

William Gibson, an original cyberpunk, once stated that “the future is already here, it’s just not evenly distributed.” But if it’s already dropped, who exactly is making it? Gibson would probably say it’s bubbling up from “the street,” like this issue’s reggaeton and baile funk. But some of the most radical and significant works of today are hurtling in from other trajectories besides the music world, including places such as galleries, laboratories, and the net.


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