Cleveland, OH newcomer Jason Burns (you may remember him from this or this) delivered this remix of "Got Me Down" by London duo Maribou State (pictured above) for the outfit's latest digital single. The garage-leaning track flips elegantly between a full-scale swing and a rubbery, half-time sway—maintaining the polyrhythmic marimba melody and infectious vocal presence throughout. You can stream all of Maribou State's new single after the jump. Read more »
Even as the individual efforts of Travis Stewart (a.k.a. Machinedrum) and Praveen Sharma (a.k.a. Braille) continue to garner more attention and praise, the music produced by the pair's collaborative project Sepalcure still arguably stands as the most stirring and vibrant tracks either artist has penned to date. Stewart's and Sharma's debut LP only continues to solidify this reputation, as they hunker down inside the depths of moody, UK-influenced bass music and present 10 impeccable tunes that unfold more and more brilliantly with each consecutive listen. Read more »
Elusive UK DJ/production outfit LV is scheduled to appear this Friday at FOUND: Audio Doughnuts' First Birthday in its hometown of London. The trio will share the bill with Rustie, Kuedo, Koreless, and Lando Kal, among others, and has dropped a brand-new minimix to mark the occasion. Read more »
When Brooklyn dark-pop duo Creep (pictured above) blasted on the scene with its "Days" single last year, Toronto house quartet Azari & III was one of the first artists to welcome Lauren Flax and Lauren Dillard into the fold with a dancefloor-ready remix. On this tune, which Azari & III originally released back in August, the girls take hold of the original rolling house number and work their witchy ways by stripping down the beats, adding haunting atmospherics, and disembodying the vocals to bring out their darkest potential.
Over the past few months, XLR8R has been curating a special set of charts for Beatport. This one comes from grime veteran Terror Danjah, the London-based producer who continues to turn out inventive, low-end-heavy jams no matter how many times the music world declares that the genre is "dead" or "back." Read more »
Last week, XLR8R editor Shawn Reynaldo made the trek to Madrid to check out a portion of this year's Red Bull Music Academy. The recap of the whirlwind that was his first two days at the Academy can be found here, but read on for the highlights of the trip's second half. Read more »
This transatlantic effort comes to us from the UK's freshly minted Left Blank imprint (currently on its third release), who has tapped Terekke (of L.I.E.S.) and 100% Silk affiliate Steve Summers (a.k.a. one-third of Innergaze) to rework the title track from El Kid's forthcoming Hypnosis EP (artwork above). But Terekke and Summers don't merely turn in a remix of the Brighton producer's dark, harrowing bass tune—electing instead to filter, chop, ammend, and rearrange "Hypnosis" into a slow-brewing, space-age disco-house tune (oh, and it was done entirely live). After giving the edit a listen, you can stream preview clips of El Kid's forthcoming 12" (set to drop on November 28) after the jump. Read more »
Stockholm-based duo The Whendays, comprised of Swedish-born Simon Reithner and San Francisco expat Serge G., is less than a year old, and yet the outfit boasts a precisely defined style. Their remix of "Light of Love" by The Miracles Club from this year may be more propulsive and dark in comparison to the pair's self-titled debut EP for the burgeoning Cascine label, but it still encapsulates the hyper-compressed aesthetic, nostalgic essence, and miasmatic funk featured on those four tracks. That said, The Whendays EP, while surprisingly original and interesting despite its genre and era signifiers, is split evenly between hits and misses. Read more »
Vince Clarke and Martin L. Gore each have a long and rich musical history, both as members of Depeche Mode and in their respective solo efforts and side projects. Now, the duo has a new collaborative project in the works, under the moniker VCMG. Read more »
Italian producer AD Bourke recently released a new EP, entitled Tidal Motion (pictured above), via Space Dimension Controller's newly minted Basic Rhythm label. The record's closing track, "32," is offered up here as a teaser for the release, and finds Bourke adapting his retro-tinged funk creations to a 4/4 template, trading his usual hip-hop beats for the soulful drive of house music. His usual aesthetic remains very much in tact though, with healthy portions of G-funk-era synths, chunky slap bass, and strut-worthy drum patterns making appearances in "32" and throughout the rest of Tidal Motion. You can hear snippets of the EP here.
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