Brighton's Mark Dobson is Ambassadeurs, a moniker with which he explores the possibilities of neon-soaked, soundsystem-specific music production. "Rössler," from Dobson's forthcoming Come a Little Closer EP, exhibits the artist's strong points within that medium, as lazer-tinged bass tones, skittering hip-hop beats, 8-bit synth noises, steel-drum melodies, and flurries of sliced-and-diced samples interplay within the track's syrupy groove. Look for the rest of this business when it's available on October 10 via Jalapeño Records.
Remember when we dropped the news a few months back that XLR8R had been tasked with curating three nights of The Netherlands' Incubate festival? Well, we did, and we're happy to say we've put together a line-up full of top-notch, forward thinking DJs and producers including Theo Parrish, Julio Bashmore, Motor City Drum Ensemble (pictured above) and a whole lot more. Now, with the seven-day festival less than a month away, the full list of Incubate's scheduled acts is finally here. Read more »
The combination of Sun Glitters and Halls seems almost too obvious a pairing, but the two burgeoning producers have in fact joined forces for a new, four-track EP entitled Swan / There (artwork above). This heavenly remix of Sun Glitters' "Too Much To Lose" (the video for which we posted earlier this week) serves as the closing number on said EP, and finds Halls stretching the tune into even more blissed-out territory with a seemingly never ending supply of ghostly pads which float around the song's skittering beat. The collaborative EP also gives Sun Glitters a chance to return the favor with a remix of Halls' "Chakra Drums," alongside one new original track from each artist. You can stream/purchase the whole affair here.
A few contemporary techno giants, Magda (who just last week gave us this excellent podcast, and is pictured above), Marc Houle, and Troy Pierce, have joined forces for a three-track record named after their collaborative party series, Down & Out. Read more »
The Tri Angle imprint is set to take us on yet another intense sonic adventure next month with the debut release of vocal sculptress Ayshay. The Senegalese-born, Kuwait-reared, and now New York-based artist aspires to reconfigure the "sacred" music of her international past, utilizing only her own voice—which does receives its fair share of manipulation and layering. "WARN-U," the title track of Ayshay's forthcoming EP, is a meditative exercise of sorts, one in which she re-pitches her own ghostly vocals up and down the sound spectrum to achieve a chorus of droning tones which seem to move in the kind of intricately methodical pattern that ultimately only makes true sense to its creator. The WARN-U EP, which comes with this tune, two other originals, and a remix from LA production outfit Nguzunguzu, is slated for release September 26.
Though generally more thought of as the pioneering godfather behind minimal techno, Detroit's Robert Hood also has another side. Complementing the lean machine funk of classic albums like Internal Empire and Minimal Nation, Hood released a whole string of minimal-influenced house records under the name of Floorplan. Exposing the funky roots at the heart of the Hood sound, Floorplan—for the most part—eschewed the synthetic in favor of a more organic, sample-based sound. Yet, while the Floorplan side-project was well received, Hood seemingly abandoned the alias in 2002. Read more »
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