The venerable Berlin club/label Tresor recently celebrated its 20th year as one of Germany's staple nights for deep, forward-thinking techno, and now it's time to acknowledge the label's two decades of existence with a comprehensive mix of the its past, present, and future from Detroit legend Mike Huckaby. Read more »
The Beatport sales charts are often dominated by the latest international club smashes, but its vault of music runs deep and covers a wide variety of artists and sounds, which is why XLR8R has been asked to curate a special two-week series of Beatport charts by some of our favorite DJs and producers. As a beatmaker whose music isn't specifically designed for the dancefloor, Teebs probably isn't asked to put together DJ charts too often, but the Southern California producer's 10 selections here show the same impeccable taste that guides his own hazy, leftfield creations. Read more »
Well, it certainly has been a while (about three years, in fact) since we last heard from the kraut-obsessed synth adventurers known as Tussle. The group has just reappeared on a new split-12" (pictured above) with the experimental-electro alias of Trans Am drummer Sebastian Thomson, Publicist, for a release that arrived this week courtesy of SF-based label Voltaire. Here we have Tussle's blistering remix of Thomson's "Hand to Mouth" tune (also posted for download a while back), on which the sonic tinkerers expand the original track into more of a dancefloor heater by more than doubling the song's length and taking it on a voyage through a seemingly endless sea of analog processors. The Split Infinitive EP, which will have its official release party in SF this Saturday (details here), features one original and one remix from each party involved, and can be streamed in its entirety after the jump. Read more »
Mysterious UK producer Patten is a few weeks away from issuing his debut LP, GLAQJO XAACSSO (artwork above), on the No Pain in Pop imprint, and has passed along this track to give us a taste of what's to come. "Fire Dream" is a dark, murky outing that hides what could be an almost tender culmination of synths under layers of buzzing distortion and blown-out drums. The tune accumulates layers of grainy percussion and incomprehensible vocal whisperings as Patten tests the listener's patience a bit with the slow-brewing swirl that makes up the track's first three-plus minutes. Eventually, a monstrously overdriven drum machine takes over the proceedings, and comparison to Actress' deeply hazy, meandering techno could be made—making it clear why fans of noise-laden, quasi-leftfield house and techno have been anticipating the release of Patten's forthcoming debut on September 26.
Perhaps better known for the sparse and inhuman minimal techno of his Maetrik project, Eric Estornel has nonetheless done a lot towards re-inventing himself under the name of Maceo Plex. Standing in contrast to earlier forays, his new moniker explores the moody and tightly wound world of vocal tech-house. Sweating Tears, his latest EP, continues in a vein similar to his last four releases, but offers mixed results.
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Before Southern California producer and Proximal label head Carl Madison Burgin (a.k.a. Sahy Uhns) drops his debut LP, the haughtily titled An Intolerant Disdain of Underlings (pictured above), on October 18, we're treated to an example of the kinds of hard-edged, boom-bap-addled electronic productions available therein. "Anticipation of the Night," which is named after a 1958 film by Stan Brakhage, is a gritty, twisted track that seems unable to stay in one place for longer than a handful of seconds. Thankfully, each new direction Sahy Uhns takes us in is as tantalizing as the one that came before it.
The longevity of relevance Mount Kimbie's Crooks and Lovers LP has enjoyed speaks volumes about the work of the UK duo. But after a slew of non-stop international performances in support of the album over the last year, the pair is ready to at last say farewell to their heralded debut full-length with one last video. Read more »
Word has it that DFA stalwart The Juan MacLean will soon release a digital-only compilation of b-sides, remixes, and rarities called Everybody Get Close on November 8 via the aforementioned label. Along with said news came this funky, vocoder-led tune from the disco and house patron, which oddly enough sounds unlike anything we've heard from the NYC artist before. Download the title track here, and check out the artwork and full tracklist for The Juan MacLean's forthcoming release after the jump. Read more »
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