Non-residents of Berlin rejoice! Ostgut Ton, the label of German super-club Berghain, has just announced the release of Berghain 05, the fifth and latest installment of its quickly expanding mix series. Read more »
Portland-based multimedia artist/producer E*Rock has tapped fellow multimedia artist Yoshi Sodeoka to craft a video for his latest record's opening track, "The Palace of Light (Revisted)." The results are a mix of videogame-style graphics, bit-reduced visuals, and digitally manipulated images, which, when combined, are absolutely enthralling. Read more »
It's only been a matter of months since we first got hip to the Cut imprint (thanks to this tune from Essáy, followed shortly thereafter by this one from Buck UK), and it appears that the burgeoning label is not keen to stop releasing free EPs from talented up-and-comers anytime soon. Cut's latest effort comes from Bristol resident Bryn Thomas, and as can be heard in the EP's title track, it falls a lot closer to the beat-oriented side of things than the label's previous outings. Not that this is striaght-up beat music, but rather an amalgamation of influences reaching as far as the instrumental beats of current LA all the way to the European tradition of finely-tuned dub techno. After checking out the MP3 below, you can head here to hear the rest of the EP for the nominal price of your email address or a tweet.
Amidst all the activity Carl Craig's Planet E imprint has been undertaking this year in celebration of its 20 years in existence, the label has quietly been putting together a new four-track compilation EP from exclusively Detroit-based producers aptly titled Detroit Nu.Wav. Read more »
After hearing SBTRKT's recent self-titled full-length (which you can stream below), you might be surprised to know that the heaving, heavy jams he kicks out are largely the result of simple tools in Logic Pro. Here, the masked mastermind behind one of our favorite albums of late fills us in on how he goes about making his clubby bass tunes. Read more »
Excitement continues to build for the upcoming DJ-Kicks compilation from German techno auteur Motor City Drum Ensemble (a.k.a. Danilo Plessow, pictured above). Earlier this week, we posted a stream of new track "L.O.V.E.," and now Plessow is giving away another effort from the album, his own remix of "Le Cortège Et Course" by French film composer Philippe Sarde, a song that originally appeared in 1972 film Cesar et Rosalie. While Plessow has kept the cinematic feel intact, he's inserted a restrained pulse and some light synth melodies, resulting in a well-crafted and highly-detailed techno number. The complete remix will be available on the double-vinyl LP version of DJ Kicks, which drops next month, but in the meantime, you can download the track below.
To put it mildly, the return of Anti Pop Consortium (as heard on the uneven Flourescent Black LP) and Beans' most recent solo album, End it All, were mostly lackluster listens, and certainly not the kind of forward-thinking, leftfield hip-hop statements some might have hoped they would be. Read more »
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