Music may not be a universal language, but it seems as though bass music has a certain ability to cross vast geographic distances and traditional cultural barriers. For instance, take Washington-based producer Cedaa's (pictured above) remix of "Annie's Mac," a new track by UK garage producer Kingthing, which appears on his Cassini EP, out soon on Texas-based label Freshmore. Cedaa strips out the original track's straightforward four-to-the-floor drive and replaces it with a broken, snare-led beat that provides ample room for his deep, wobbly sub-bass tones and cutting '90s synth stabs. The resulting breathing room creates a dynamic and dubby space, resulting in a digitally infused and thoroughly stoned dance cut.
Daniel Martin-McCormick and Damon Palermo could both easily be counted among the busiest, hardest-working artists active today. The guys might be best known for their work in the shapeshifting Mi Ami, though Palermo also puts in time drumming for krauty psych outfit Jonas Reinhardt and Martin-McCormick has toyed with experimental noise music as Sex Worker for several years (not to mention his involvement with D.C. post-hardcore band Black Eyes in the early aughts). But after Martin-McCormick's shift in location last year (he's now based in Brooklyn, leaving Palermo in San Francisco), both musicians have found themselves with the opportunity to properly explore a realm of sound they'd previously only flirted with: dance music. Read more »
Ever since Mosca crashed into the electronic-music world in early 2010 with his debut single—which just happened to be the first record from Night Slugs and contained our favorite track of last year—a few things have become evident about the London producer. One: he's not particularly prolific, as "Done Me Wrong" b/w "Bax" is only his third single in nearly two years. Two: he's a bit of a shape-shifter, with seemingly every track and remix in his discography delving into a new sound, or tempo, or both. Three: he's incredibly talented. Read more »
Earlier this year, UK-based music-sharing website Carbon Logic got together with Brooklyn's Telepathe to collaborate on a brand-new compilation, with songs being selected from the entries for Cycle, a contest on the site seeking user-submitted content. Now, months later, Telepathe have selected 12 of their favorite tracks to see release on a digital comp entitled Carbon Logic Cycle #10, with the winner of the competition, AZitiZ, having her song "Where Is the Love" also released separately on 12". As a teaser for the whole thing, they've slipped us UK producer Alphabets Heaven's track, "KOPS." Functioning as an excursion into leftfield territory, "KOPS" plays like a video game with a 16-bit synth palette punctuated by power-up bloops and a swung-out and broken rhythm. The resulting sound stands somewhere between LA's beat scene and UK grime. "Where is the Love" (which features an Alphabets Heaven remix) comes out September 19, while Carbon Logic Cycle #10 comes out October 3.
Lo-fi pop from Austin, TX meets astral UK bass music on this remix of Sleep ∞ Over's ethereally gorgeous "Romantic Streams" by Damu (pictured above). The Manchester-based producer more or less eschews any of the original's instrumentation, cherry picking Stefanie Franciotti's distant vocal melodies and applying them to a smooth-yet-frenzied track that threatens to take off without ever leaving the ground. (via FADER)
London producer Wafa (who has previously released music on Grizzly and also moonlights as the drummer for Basement Jaxx) has spun this hyperactive tune from burgeoning Frenchmen Canblaster (pictured above) and Sam Tiba into an even more bombastic floor burner. The original "Delphes," which comes from Canblaster's recent Totem EP for the Marble imprint, sees its percussive edges sharpened and its glistening web of futuristic club sounds condensed into a three-plus minute whirlwind of sirens, spaceship lift-offs, and irresistible drum programming. Legend has it that this edit came in just a bit too late to find its way onto the initial release of the Totem EP, so we should all count ourselves lucky that the good folks over at Marble (that is Surkin, Bobmo, and Para One) are a generous bunch and still decided to float this little gem into the world for our listening pleasure anyway.
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