Portland-based multimedia artist/producer E*Rock has tapped fellow multimedia artist Yoshi Sodeoka to craft a video for his latest record's opening track, "The Palace of Light (Revisted)." The results are a mix of videogame-style graphics, bit-reduced visuals, and digitally manipulated images, which, when combined, are absolutely enthralling. Read more »
It's only been a matter of months since we first got hip to the Cut imprint (thanks to this tune from Essáy, followed shortly thereafter by this one from Buck UK), and it appears that the burgeoning label is not keen to stop releasing free EPs from talented up-and-comers anytime soon. Cut's latest effort comes from Bristol resident Bryn Thomas, and as can be heard in the EP's title track, it falls a lot closer to the beat-oriented side of things than the label's previous outings. Not that this is striaght-up beat music, but rather an amalgamation of influences reaching as far as the instrumental beats of current LA all the way to the European tradition of finely-tuned dub techno. After checking out the MP3 below, you can head here to hear the rest of the EP for the nominal price of your email address or a tweet.
Amidst all the activity Carl Craig's Planet E imprint has been undertaking this year in celebration of its 20 years in existence, the label has quietly been putting together a new four-track compilation EP from exclusively Detroit-based producers aptly titled Detroit Nu.Wav. Read more »
After hearing SBTRKT's recent self-titled full-length (which you can stream below), you might be surprised to know that the heaving, heavy jams he kicks out are largely the result of simple tools in Logic Pro. Here, the masked mastermind behind one of our favorite albums of late fills us in on how he goes about making his clubby bass tunes. Read more »
Excitement continues to build for the upcoming DJ-Kicks compilation from German techno auteur Motor City Drum Ensemble (a.k.a. Danilo Plessow, pictured above). Earlier this week, we posted a stream of new track "L.O.V.E.," and now Plessow is giving away another effort from the album, his own remix of "Le Cortège Et Course" by French film composer Philippe Sarde, a song that originally appeared in 1972 film Cesar et Rosalie. While Plessow has kept the cinematic feel intact, he's inserted a restrained pulse and some light synth melodies, resulting in a well-crafted and highly-detailed techno number. The complete remix will be available on the double-vinyl LP version of DJ Kicks, which drops next month, but in the meantime, you can download the track below.
To put it mildly, the return of Anti Pop Consortium (as heard on the uneven Flourescent Black LP) and Beans' most recent solo album, End it All, were mostly lackluster listens, and certainly not the kind of forward-thinking, leftfield hip-hop statements some might have hoped they would be. Read more »
British singer-songwriter-producer—and releaser of this fine piece of electro-pop—Chad Valley (a.k.a. Hugo Manuel) just announced that he's going on a run of tour dates throughout North America this September. Read more »
Despite toting a seemingly blissful name and incorporating a fair share of African-style percussion, there is absolutely nothing warm about "Haven," the first track to surface from CHLLNGR's forthcoming album of the same name. Instead, the young producer has crafted a piece of work that is even colder than his Copenhagen base, something like the aural equivalent of entering an ice cathedral. Donning an assortment of haunting pads and distant piano chops, CHLLNGR unleashes a barrage of controlled and intricately placed drums which revolve around the track's slower-moving elements before laying a skillfully chopped and pitched—and absolutely chilling—vocal sample on top. CHLLNGR's new LP doens't hit the streets until next Tuesday, July 5, so for now we suggest you bundle up and get to downloading.
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