Originally slated for a planned EP/single/what-have-you from Mad Decent's premiere 'clubstep' patron Rusko that was ultimately scrapped, this version of "Feel So Real" by Austin, TX-based DJ/producer Dubbel Dutch (pictured above) certainly inspires a couple of questions upon first listen. Namely, is this really a Rusko remix? Sure, snippets of the canned vocal performance by Ben Westbeech weave in, out, and around the spacious bass composition crafted by the Texan tunesmith, but, thankfully, it seems like not a single other sound is related to the original track. Dubbel Dutch treats the acappella of Rusko's song like he would any other found vocal sample, chopping and tweaking it to perfectly fit the shuffling dance beats and deep soundscapes he's so keen to create. So, maybe since this solid, UK-leaning club tune didn't quite make it on an official remix release, we'll just thank Mr. Westbeech for the voice work, slap Dubbel Dutch's name in the "Artist" field, and be on our merry way.
Young French DJ/producer Cédric Steffens (a.k.a. Canblaster) continues to secure himself as an integral part in the forward movement of contemporary club music with a brand-new release scheduled to drop on the party-starting Nightshifters label. The Master of Complication EP will be released on Feburary 15, and features eight tracks comprised of four original tunes and four remixes from the likes of Teki Latex & Para One, Jubilee, and others. Read more »
The Red Bull Music Academy has been gathering up-and-coming producers, DJs, and musicians with legends and pioneers of the music world since it began in 1998, every year choosing a new city and music scene to highlight. For 2011 the Academy has chosen Tokyo, Japan as its destination. There they will gather 60 participants with an assortment of music professionals (other artists, journalists, DJs, label heads, studio engineers, etc.) to share ideas, make music, perform, and do all the other things that fall in between. Read more »
A song like Magick Mountain's heavenly house track "One For My Ego" doesn't need anything more than the company of a handful of pretty images to make a great music video. And that's exactly what director Aaron Katsnelson does, to absolute perfection. Read more »
UK-based producer and head of the newly-founded Bergerac imprint, Danny Berman (a.k.a. Red Rack'em/Hot Coins), has continued to build on his reputation since the release of his debut LP, The Early Years, last October. "Housey," taken from said LP, is a clear example of Berman's style which finds him searching the common ground amongst a variety of influences, including deep house, electro-boogie, space disco, and Detroit techno. The track comes together as if all the different elements had gone for a pleasant afternoon stroll, the funky bassline and boogie drums strutting confidently along before meeting up with the percolating synths and twinkling pianos along the way. It all happens so effortlessly that it's a surprise when the song actually comes to an end, so if you wish to remain in the warm, easy flow that "Housey" creates, make sure to put this one on repeat before diving in. It appears Berman's already having a busy 2011, as a single for the track "Feel My Tears" is slated for release on his label in February and he'll be launching a new vinyl-only label, Nettles, in March.
Following not long after the release of his debut EP for the PTN label, The Mind of DJ Dom, London future-house patron DJ Dom will soon drop his second offering of tunes on Brackles' and Shortstuff's illustrious Blunted Robots imprint. The two-song 12" (that's the label, up top) will feature older-yet-unreleased productions from the tunesmith, called "Sunshowers" and "You Can't See Me," and will drop on February 4. Read more »
Here, we get the first look at the brand-new video from Japan's electronically inclined singer/songwriter/producer Clive Tanaka. The tune, "Lonely for the Highscrapers," is taken from his recently released album for the Tall Corn label, Jet Set Siempre No. 1—which was once only available on cassette, but can now be found on digital and vinyl formats. Director Brandon Domer pairs Tanaka's homespun electronic pop with some equally precious and homemade VHS footage of children frolicking about in amusement parks, playgrounds, beaches, and other sunny, carefree locales, all delivered under the banner of 1987 Florida Vacation. Read more »
What happens when you combine two classically-trained musicians with glitched-out beats in the vein of Lazer Sword and other bass-loving knob twiddlers? Virtual Boy is what happens. The duo of Preston Walker and Henry Allen is poised to release its newest EP, Symphony No. None, on February 1 and have made the EP's closing track available to give us a taste. "Mass" is not a tune for the light-hearted; it's a seven-plus minute epic that combines classical-style instrumentation and Phillip Glass-esque melodies with slow, head-nodding drum programming and an array of laser-synths. The track acts as a lesson in patience for some of those beat-hungry heads out there, as the dramatic, melodic intro builds for the first two minutes of the song before anything resembling a beat comes in, giving you plenty of time to grab your favorite hoodie, throw on a fitted hat of your choosing (tilted slightly to the side, of course), and embrace the heaviness that is "Mass."
London photographer-turned-producer Steve Braiden (better known simply as Braiden) has been making waves in the future-house/post-dubstep scene in the UK with a host of impressive DJ sets, including his regular show on Rinse FM and, recently, a well-received and now sold-out single from Joy Orbison's Doldrums imprint. Online music publication The Quietus, in collaboration with Sonic Router, recently posted an extensive interview with Braiden in which the producer discusses a variety of topics including his start in the scene, his music's aesthetic philosophy, and the success of his newest single, "The Alps" (the video for which you can watch here). Read more »
Though the track didn't make it on Caribou's official album of remixes for what was easily one of 2010's top musical highlights, Swim, this version of "Bowls" by UK electronic duo Icarus (pictured above) received a sort of honorable mention yesterday when it was posted on Caribou's SoundCloud for free download. We're happy to hear more interpretations of Caribou's various forays into beat-centric music, especially a flip as intricate and surprising as this one. For its remix, Icarus strips "Bowls" of its propulsive thump, catchy synth hook, and sporadic string flourishes, instead placing the focus directly on the moody sub melodies, droning bowl sounds, and the pair's own glitched-out rhythms. Sounds twist and turn, swell and crash, and generally seem to have a life of their own on "Bowls (Icarus Remix)," as though Icarus' only job was to make sure no noise flew too far out of earshot whilst flitting about.
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