We know we're running the risk of serious overkill when it comes to news stories on this year's Movement Festival in Detroit, but it's worth mentioning that Ricardo Villalobos will be one of next weekend's headliners, the festival announced today. He'll be performing on the main stage on May 29, and some boat party (just Google it, okay?), too. Read more »
As we reported not long ago, the nebulous Downliners Sekt recently released the third installment of its EP trilogy, Meet the Decline, and are now giving us the opening track from that release to share with you. "All I Can Hear Now" is a prime example of what makes the production outfit so hard to pin down: The pair seems to utilize all of its musical ideas and influences at once, not worrying too much about styles or genres. In this song we hear what sounds like tweaked recordings of a folk singer playing a ditty on an acoustic guitar, brief piano flourishes, distorted transmissions from a pocket radio, distant orchestral compositions, and a constant rumble of low-end. Downliners Sekt's song is at once melodic and off-kilter, mysterious and familiar, and, above all, touchingly beautiful. You can hear how the rest of the Meet the Decline EP matches up, and stream it all here.
Before Toronto's austere techno imprint Thoughtless releases the debut album by local DJ/producer Arthur Oskan on May 25, we're treated to a sizeable taste of A Little More Than Everything, courtesy of the hypnotic "Tracksuit." The relentless production is ripped from center of Oskan's 10-track LP, and shows the artist hard at work crafting sparse-yet-vibrant dance grooves, and pairing those infectious techno rhythms with equally mesmerizing synth melodies and rubbery basslines. It's a deep tune that offers an accurate glimpse into the intricately crafted moods and soundscapes of the producer's forthcoming album.
For most musicians—hell, for most people—the idea of their dad getting involved with their work basically sounds like a total nightmare. But LA-based producer Groundislava doesn't have the average dad. His father, Michael Patterson, was the brains behind classic '80s videos like A-Ha's "Take on Me" and Paul Abdul's "Opposites Attract," and now he's lent his animation skills to his son's latest clip, "A Grass Day." Read more »
Earlier this year, the analog-obsessed space ravers of Blondes announced a three-part 12" series on the RVNG label. The series' second volume, "Business" b/w "Pleasure," will be released on June 6. Ahead of that, the Brooklyn-based duo has unveiled this video for the latter track, an epic journey put together by video artist Farley Gwazda. Read more »
Would it be cliché to lead off a piece on Cosmo Vitelli by commenting that despite the name of his label—I'm a Cliche—the man is anything but? Probably. In any case, the Cassavetes-obsessed Frenchman is back with Night Dogs, a brand new EP and his first since 2007. Featuring the Korean vocal stylings of Nakion, Night Dogs sounds a lot like what you would imagine Miss Kittin & The Hacker would sound like if they put out a record in 2011. We recently got our hands on Cómeme sensation Daniel Maloso's remix of "Night Dogs" to share with you. Taking the open space of the original and tightening it down, his remix turns the track into a sparse and funky electro-funk workout. Check out Maloso's remix below and pick up the full EP over at Beatport.
Back in December, London's New State Music finally made the release of MZO Bullet's "Casablanca" official. It was about time too, as lo-fi YouTube rips of the track had been muddying up the sound of kwaito DJs everywhere. Though the song has been pressed and released, if you're anything like us, then you probably still can't get enough of it. As it turns out, Mite (pictured above) of Embassy Recordings has been thinking along similar lines. He recently sent us his light "Acid Re-Dub" that keeps the song intact while cleverly substituting the chaotic acid warble of a TB-303 for the original's bumping synth-sax bass. You can give it a listen below.
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