French proto-house figure Bernard Fevre, of Black Devil Disco Club fame, will release a new record titled Circus on April 12 via Lo Recordings. Fevre has rarely worked with vocalists in the past, choosing to keep his disco club solo. Read more »
Since we last heard from Brooklyn's psyched-out, post-punk-indebted Dinowalrus (pictured above), the outfit has gone through a bit of a reformation in both sound and style. Now boasting a stronger proclivity for acid-y synths and pop hooks, Dinowalrus has been finishing up its sophomore album, which is slated for release in mid-2011. The original version of "Gift Shop" will appear on that forthcoming record, but what we have here is a remix of that tune by Philly's own Pink Skull. The weirdo tunesmith keeps the psychedelic vibes alive on his version of the song, wrapping jangly guitar riffs, raspy vocal hooks, cyclical percussion, and all kinds of warped noise around a thumping dance beat. The end result sounds something like what we might expect from a jammy band like, say, Tussle or Geoff Barrow's Beak>—a group that juxtaposes hypnotic polyrhythms, spacey synth washes, and tweaked bass and guitar sounds, a group like Dinowalrus.
Not long before the release of their collaborative contribution to the classy DJ-Kicks mix series, the two DJ/production duos Wolf + Lamb and Soul Clap have announced a music video contest for fans to enter and potentially win big. Read more »
Moscow-based producer Pixelord recently put out his third EP, Fish Touch on Error Broadcast, a pop-infused record of 8-bit glitter that moves easily between hip-hop and dubstep influences. Pixelord also seems to be engaging ever more closely with the future bass sounds going on west of him; his Love Is EP for Seattle's Car Crash Set is an example of what Pixelord's blips sound like when paired with UK garage and chipmunk vocals. Departing again from the half-step sounds of other Pixelord releases, he put together his own VIP remix of Fish Touch's title track, transforming the original's squelchy ragga flavors into a rolling UK bass nodder that moves the track onto the dancefloor and into 130-bpm territory.
Nicolas Jaar is only 21 years old, but he's already had quite the life. Much of his childhood was spent in Chile, but his formative years were spent in NY, where he entered the world of electronic music and released his first record before he completed high school, on the renowned Wolf + Lamb label no less. Read more »
There are many meaningful artistic layers to San Francisco producer Paul Salva's debut, Complex Housing. First, there's the title's clever play on housing complexes—prefab city dwellings where people live fascinatingly intricate lives. Similarly, Salva's album initially sounds like standard computer-driven urban music, but listen closer and plenty of twists, variations, and colorful nuances pop out unexpectedly. Read more »
As a DJ in NY's illustrious TURRBOTAX® crew, Contakt is responsible for spreading the good word of next-level house, techno, and bass tunes. As a producer signed to the burgeoning Local Action label, the NYC-based artist is responsible for crafting those sounds himself, and he does so with apparent skill and aplomb. (And—in the interest of full disclosure—as an XLR8R employee, he helps keep our game tight in all manner of ways.) Contakt's first release, the Not Forgotten 12", dropped just yesterday, and now we have a track that didn't make it onto that slab of vinyl. Like the aforementioned single, "AuH20" kicks off with stomping beats and deep pads that collectively evoke both the past, present, and future of dance music, with a heavier slant on the latter of those eras. Contakt continues to mix in large helpings of squelchy low-end melodies, catchy synth hooks, and ricocheting percussion through the song's four minutes, not once losing sight of the two elements that form its foundation. (via Dummy)
On April 2, DFA label head James Murphy and his LCD Soundsystem will join the likes of The Arcade Fire, Jay-Z, and Rammstein with a headlining performance at the legendary Madison Square Garden in New York City. Sadly, this landmark concert will also be the band's last. Read more »
Though dark, muddled, and vintage-inspired sounds are nothing out of the ordinary at this point, New Orleans' duo Belong has been mining the depths of such music for about five years now, and is releasing a brand-new LP soon via Chicago label Kranky, too. This cut, called "Perfect Life," lies just about in the center of the outfit's forthcoming Common Era album (pictured above), and shines with a murky glow through the layered shadows of distorted synth hooks, distant drum-machine patterns, and dense white noise. It's like New Order performing its first single from the bottom of the ocean, or a transmission of a band like, say, Cold Cave, broadcast from the opposite end of our galaxy. You can see how the rest of Belong's record compares when it drops on March 21.
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