Last month, we posted a track from the Atlanta/London duo Mane Mane and now we've gotten our hands on a track from the Atlanta half of the duo, producer heRobust, who has just released a new EP entitled Albumin (artwork above). "Shawty Swing My Way (Busted)" finds heRobust utilizing the vocals from K.P. & Envyi's '90s hit "Swing My Way" to lead the track as he crafts disjointed, bit-crushed future-hip-hop below. The vocals are, surprisingly, not chopped and screwed to oblivion but rather presented as an intergal part of the song, along with a whirlwind of spacey synths and dark bass. Shuffling hi-hats skip between a steady kick and snare that take on the head-nodding duties essential to any artist that bears the tag "21st-century-beat-music." Albumin is available for a "pay what you want" price over at Saturate's Bandcamp.
London's Deep Teknologi label/collective has been on everyone's lips lately, and after having one of its co-founders, T.Williams, kick off this year's XLR8R podcast series with a scorching mix, it's only right that the other co-founder, S.E.F. (pictured above), gets his due in mix form. Now, electronic music writer (and occasional XLR8R contributor) Andrew Ryce has posted an exclusive mix from S.E.F. showcasing Deep Teknologi's "UK to the bone" stylings. Read more »
Following the release of Danish DJ/producer Trentemøller's most recent LP, Into the Great Wide Yonder, the veteran musician will take off on a tour around the world. The first part of the tour, from February 10 to March 7, will feature DJ sets by Trentemøller, which will be followed by an extensive tour with his live band from March 19 until September 2. Read more »
Often touted as Germany's answer to DFA, DJ/producer/label head Mathias Modica (a.k.a. Munk) and his Gomma label will soon drop another record of the kind of indie-friendly disco-house music that has earned him his reputation. The Keep My Secret EP is set for release on February 11, and will feature remixes from Welcome Stranger (of Rub N Tug), Rory Phillips, and Jacques Renault (of Runaway), along with the original version of Munk's tune. Read more »
This year's installment of the infamous Red Bull Music Academy will take place in October and November in none other than Tokyo, Japan, and now, you can apply to be a part of this potentially life-changing, two-week-long immersion into the world of music production. Up until April 4, both aspiring and seasoned artists can apply here to take part in the slew of recording sessions, musical lectures, workshops, and jam sessions offered by RBMA. Read more »
Love Remains, the touching and visceral debut album by Brooklyn's lo-fi-obsessed R&B experimentalist How To Dress Well, didn't quite make it onto our year-end favorites list for 2010, but that's not to say we weren't avid fans of artist Tom Krell's shattered ethereal pop. We even had the opportunity to premiere HTDW's music video for the lovely "Ready For the World" cut, and now we're pleased to give you two more clips for "Suicide Dream 2" and "Suicide Dream 1." Read more »
It's hard to imagine the techno world of the late '80s and '90s without Belgium's R&S Records. The Ghent-based label not only first introduced Aphex Twin to the world, but it was also the home of some of the era's biggest names and releases, from Derrick May to System 7 to Joey Beltram, whose "Energy Flash" might be the label's most famous single. Read more »
From the forthcoming The Windtalker EP (pictured above) by Swiss-French artist Consor, we have this remix of the title track by LA beatmaker and Non Projects acolyte Asura. Seeing as how both producers have distinct interests in organic sources and texturally dense music, bringing together their individual takes on those sounds for "The Windtalker (Asura's Fur Ana Mix)" is basically a no-brainer. Asura dips the whole song into a warm bath of synth pads, hushed vocal melodies, and overwhelming spatial atmospheres and injects the once-beatless tune with a clattering, rhythmic pulse—effectively giving Consor's original track a serene-yet-driving vibe, the likes of which we haven't heard much of since Aphex Twin's ambient days. Make sure to keep an eye out for the rest of the eight-song release when it drops on March 7.
Many moons ago—if you'll remember with us—we premiered a brand-new song from the burgeoning post-rock artisans in Chicago's A Lull, entitled "Weapons For War." Since that song went live on our website back in October 2009, the boys of that band gave it a bit of a facelift in preparation for its official release as the lead track on A Lull's debut LP for the Mush label, Confetti—not to mention the Weapons For War EP (pictured above), which drops on March 1. Also on that EP are a handful of remixes, including this one from fellow Chicagoans Houses. The electro-pop-inclined pair reformat the original song's baroque layers of percussion and busied melodic elements into a simple and bubbling tune that floats somewhere in between The Postal Service's more sullen moments and that one song from the '90s about a phonebooth by Primitive Radio Gods. But instead of sampling B.B. King's bluesy vocal hooks, Houses nabs a lyric from singer Nigel Dennis—repeating "We'll all lay down when it's time to/Not one minute early/Not one minute early" before trailing off into the remix's gradual comedown. A Lull's Confetti is out on April 12.
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