New York photographer Tom Winchester's fall style features I Can't Kick This Feeling When It Hits and String Theory Read more »
As we discovered in our recent feature, Philadelphia's main attractions aren't so much cheesesteaks and cracked bells but refreshingly cutting-edge music and art. The bittersweet tunes of Cold Cave are no exception. Here, we're treated to a new track thanks to indie giants Matador giving the goth-inspired quartet's Love Comes Close, a re-release with three bonus tracks. "Theme From Tomorrowland" is one of the extra tunes, not to mention an excellent addition to Cold Cave's already solid repertoire of dark, no-wave pop à la OMD and classic Factory Records.
Vancouver native Laberge likely has a stack of Cassius and Daft Punk singles at home, but he probably also has a fairly large collection of West End Records' disco-house repertoire from the early '80s. Though many have claimed to be inheritors of the French Touch sound, "We Don't Know" shows that Laberge is in the running to be the genre's new prince. Recalling Room 5's monstrous "Make Luv," but with more strings and a less prominent vocal, the track sizzles with deep kicks and a funky little bassline. Is disco-house moving back to the club's main room? Time will tell, but with all of the fantastic disco being made right now, it seems likely.
The synths in this jammer from Australia's Cassian are so big and bright that it is hard for the listener to not want to listen to Scotch or Doctor's Cat records afterwards. What's interesting, though, is that while "Final Round" references some very Italo sounds, it also has an early-'80s American arena disco-soul feel with its delayed, panning guitar sounds à la Billy Ocean and samples taken from popular video games of the period. Cassian has a record coming out soon, and if it shares the aural splendor of "Final Round," it will be a favorite in this reviewer's car for months, as well as a great new arrival from down under. Bang Gang has been instrumental in fostering this scene, which is documented on The Bang Gang 12inches Compilation, where "Final Round" makes its inaugural appearance.
Mixed by Carl Craig, French producer Etienne Jaumet's first solo album delivers. 20-minute opener "For Falling Asleep" utilizes looped, occasionally acidy arpeggiations, with a processed saxophone providing the piece's main melody. Weird whisperings and ululations provide the piece with some foreboding undertones that wouldn't make for pleasant dreams, but the pastoral final minutes are dreamy enough for an afternoon nap. Read more »
Phillin' It: For years, Philadelphia has been shrugged off as New York's little brother—a place where displaced Brooklynites went in search of cheaper rents, bigger spaces, and a touch less 'tude. But what's emerged over the years is far more than simply a sixth borough. So for this year's special City Issue, we dug around the Fishtown, Northern Liberties, Chinatown, and every other little enclave we could find to bring you the best that Brotherly Love has to offer. Check back every few days for a new feature from the east coast's newest hotbed. Read more »
Forming a futuristic force of club-ready hip-hop, Bay Area producer Amp Live of Zion-I fame has joined up with East Bay MC Trackademicks for his new track, "Gary is a Robot," taken from Amp Live's forthcoming solo album Murder at the Discotek. The video for the jam, which XLR8R has grabbed premiering rights for, seems like a simultaneous bash at and celebration of contemporary club culture. We'll let you be the judge. Read more »
Building upon the constant psychedelic drone and claustrophobic tribal-disco assault of past releases Preyers and Hoarse Lords, Oakland's Clipd Beaks have finished work on their follow-up album, To Realize. Read more »
Edan, the iconoclastic DJ and producer, has a new concept record coming out soon. Echo Party was created using samples from the extensive back catalog of the Traffic Entertainment Group as a structure to create new sonic textures. Armed with synths, drum machines, guitars, kazoos, and even glockenspiels, Edan has crafted a seamless, experimental artist mix, complete with extensive notes, insane artwork (see above), and more sample sources than most DJs would know what to do with.
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Processing drums and guitar using Ableton Live's audio effects racks.
In this episode, Christopher shows us some accessible ways to do make weird sounds using stock plug-ins in Ableton Live. He shows how to use them along with automation clips to sequence processing—specifically drum and guitar tracks.
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