Greg Zifcak (one half of rave-ready weirdos Eats Tapes) and Andre Ferreria (a.k.a. Bobby Browser) are the Bay Area's Global Warning, the latest addition to a budding crop of hardware-rocking, old-school-obsessed production outfits hell bent on filling our dance parties with the sounds of Roland's finest vintage gear. The unstoppable house rhythms and undulating bass melodies of Warning's "071110" are lifted off a compilation entitled Pacific Housing Authority, a DIY release which serves as a sort of introduction for this crew of producers from up and down the West Coast. XLR8R faves like The Miracles Club and C.L.A.W.S. are included in the bunch, along with fresh faces Finesse and Prints, among others. You can stream the entire compilation here, but if you want a physical copy, you'll have to catch the Authority on tour through August.
Seeing as how the silken-voiced Andreya Triana got her first taste of widespread exposure lending her sultry croon to Flying Lotus' "Tea Leaf Dancers," from the Reset EP, it makes perfect sense that this remix of her brand-new single, "Lost Where I Belong," sounds like it was ripped straight from FlyLo's own discography. The warm, glittering tune even starts midway through a thick melody, like producer Steven Ellison had placed it within one of his interconnected, shapeshifting opuses, and the busy basslines, orchestral arrangements, and shuffling beat work are pure Cosmogramma. But as the bulk of the instrumental drifts away, it's apparent that Triana's wounded psalm inspired Ellison's brilliant production, as he leaves her voice and some subtle harp flourishes to finish the song alone.
As you all should know by now, we dig on some Mosca. We've had the UK-based DJ/producer hook us up with a podcast, swooned over his Four Tet remix, and spread the good word of his Square One EP for Night Slugs, so excuse us while we gush a bit more over this excellent tunesmith and the awesome mix he just hooked the internet up with. Read more »
The online UK dance/bass music radio station Rinse FM just recently had good reason to celebrate, as the taste-making massive climbed the status ladder from 'pirate radio station' up to 'officially licensed FM broadcaster.' Now, possibly an even bigger reason for the music hub to party is on its way; Rinse is turning 16. Read more »
Earlier this month, we were pretty stoked to catch a completely new (and mastered this time) jam from the prolific Dâm-Funk (he just delivered this sweet modern funk mix, too—seriously, does he ever stop?), "A Day at the Carnival," and now we're being treated to a remix of the upbeat instrumental from Proximal co-conspirator Sahy Uhns (pictured above). The young beatsmith transformed Dâm's retro-minded boogie tune into something a bit more late-'00s, full of crunchy, crackling textures in the stereo peripherals, some Ableton-plug-in wizardry, and slow-grooving hip-hop beats that scream beat scene. You can snag more like-minded tunes from Sahy Uhns and his Proximal cohorts on the Proximity One: Narrative of a City compilation, which is out now. (via FADER)
Neon Indian to Release Deluxe Edition of 'Psychic Chasms' with Remixes From Toro Y Moi, Dntel, Javelin, and More
Highly touted electronic-pop (or 'chillwave,' if you must) darling Alan Palomo unleashed a warbling, fuzzy, psychedelic beast of a debut album back in 2009 under the name Neon Indian. Lots of people, including us, got into that album pretty hard, so it's not too surprising that nearly a year later, Psychic Chasms is getting revamped and re-released as a deluxe edition complete with an entirely new disc of remixes from indie and electronic music's elite. Read more »
The formula makes sense; Tobacco is weird, Beck is (relatively) weird, and the song they wrote together, "Grape Aerosmith," is kinda weird too, so yes, the video should also be weird. But what director Allen Cordell delivers is unprecedentedly strange and nonsensical. Read more »
Mix one part new wave, one part krautrock, one part post-punk, and one part Lower East Side psychedelia and you'll get Swedish septet Ikons. Mix one part Balearic disco, one part analog-synth wizardry, and one part epic space journey and you'll get this remix of Ikons' track "Honey," by UK production duo Coyote. Timm Sure and Amp, the fellas behind the Is it Balearic? imprint and mixes for Cool in the Pool, seem to ditch almost everything but Ikons' vocal track, which is merely a baritone utterance of the song's title. The focus of the original "Honey"—its bouncing drum beat, its monotonous bassline, and its driving guitar riff—is nowhere to be heard, and Coyote takes the opportunity to push the song's meandering synth tones up to the front alongside a pulsing disco-house rhythm and bass melody.
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