Until now, our City Guide podcast series has been focused on the West Coast, but we've also got plenty of love for our friends on the other side of the continent. This week we're sampling the sounds of New York, and who better to survey the Big Apple than our homegirl (and former editor) Vivian Host (a.k.a Star Eyes). Read more »
Hyper-sexual Barcelona electro imprint Tracy just dropped For Trash, the latest EP from Bitcode. This remix of the title track comes courtesy of Warp alumnus Jimmy Edgar, who smooths the original's obtuse edges with his patented sheen and brings the dark undertones of "For Trash" to the forefront—making for a tune that drunken dancefloor revelers could easily mistake for something from Mr. Oizo's catalog.
Technically, this is Jogger's first full-length, but there's enough music here to fill five albums. The duo (Amir Yaghmai on violin/guitar/vocals and Jonathan Larroquette on laptop/controllers/vocals) packs each of its 10 tracks here with sounds drawing on everything from ambient to folk to rock, utilizing a manic cut-and-paste-and-layer-and-distort-and-process aesthetic that's, well, crowded. Read more »
After hearing Aeroplane's take on the epic disco-funk of "Baby Can't Stop" by Norwegian-Belgian duo Lindstrøm & Christabelle (the latter of whom is also Aeroplane's singer), we didn't think the vintage synth-heavy dance jam could be further expanded upon. After this gem of a remix from Idjut Boys landed in our hands, our opinion quickly changed. The veteran London-based duo kept relatively true to the original, making their version more of an edit which highlights the bulbous basslines and warm brass section of Lindstrøm's production work with a few of their own sounds tossed in for extra flair.
Taken from The Shape of Things That Hum, the freshly-released second EP in a series of three by the shape-shifting DJ Food project (currently manned by Strictly Kev), Mr. P's remix of "All Covered in Darkness" sets out sounding like it's entering the Twilight Zone. However, as the chilly piano loop and booming, baritone voice fade away, an ominous organ melody (or maybe that's cello?) and cowbell-led breakbeat (though that could be a piano) overtake the song with the help of a somewhat indiscernible vocal loop—all before slowly bringing you back to the track's enigmatic opening sounds.
Techno is often an over-serious genre, so listening to the first Italoboyz full-length is a breath of fresh air—the duo crafts rich, funky tracks that are full of humor, esoteric influences, and the London transplants' penchant for intense rhythmic play. A prime example is found on "Chinese," a piece that utilizes extensive bits of Chinese-influenced piano, cut-up vocal portions culled from Chinese language instruction software, and jazzy house percussion that shimmers in just the right spots. Read more »
It has been 20 years since John Acquaviva and Richie Hawtin started Plus 8 in Windsor, Ontario, and to celebrate this milestone as well as 100 releases, the label is putting out a compilation of remixes of past releases from contemporary producers. Featuring such techno luminaries as Speedy J, Teste, and Hawtin's Plastikman project being remixed by everyone from Alex Under to Marco Carola, the collection is sure to shed some new light on 20 glorious years of making people slam to minimal sounds. Tracklisting after the jump! Read more »
- 20 Questions: Jackmaster Talks Fast Food, Rubadub, and Coping with the Endless Party Loop
- Get Familiar: Dark Entries
- Nothing Is True, Everything Is Permitted: Wolfgang Voigt, Lawrence English, and Others Ponder the State of Ambient Music
- 20 Questions: DJ Harvey Talks Surfing, Rock 'n' Roll, and the Meaning of Life
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