Fresh off their highly-touted debut album with singer Esau Mwamwaya as The Very Best, Radioclit keep the ball rolling with a reissue of their Secousse EP. The record comes complete with remixes from Brodinski, Round Table Knights, and, featured here, Riva Starr. Starr's treatment finds the UK producer relying on wobbling bass, a four-on-the-floor beat, and enough percussion and delayed synths to drive listeners straight to the dancefloor. If that kind of remix doesn't make you want to add the 12" to your collection, maybe the fur cover will.
Scottish dance experimentalist Gravious produces tracks that quickly and confidently coalesce the choice elements of some of dubstep's heavy hitters—Burial's tweaked and sampled vocal snippets, Zomby's booming and wonky bass, and Joy Orbison's refined sheen. Here, he unlocks the dubby grooves of Australian tech-house producer Deepchild's latest single, "Wannado." The house elements shine through Gravious' shuffling beats and give his remix a slight retro garage feel while remaining focused on dubstep's future.
TBC: Dancing About Architecture—BLDGBLOG's Geoff Manaugh Sounds Off on the Year's Best Audio Installations
From the New York subway's train No. 2—whose whistle, according to a February 2009 article in the New York Times, sounds like Leonard Bernstein when it pulls in to Times Square—to serious discussions about how we might “tune” the silent engines of electric cars, 2009 was a year for acoustic speculation. Read more »
Here, France's Douster takes a dancehall-tinged house track and emphasizes the dancehall elements to such an extent that it is essentially un-housed. But while Malente & Dex's original definitely sizzles, the remix scorches, throbbing with deep bass, epic drops, and a real pushing of the melodic line. The vocals from New Kidz only serve to make "Lions" one of the more versatile remixes around, appropriate for dancefloors where cumbia, funky, and dancehall are spun.
Dark is the word thrown around most often to describe King Cannibal, and it’s probably the single best word to encapsulate the full aesthetic, sound, and ethos of the artist formerly known as Zilla. Let the Night Roar is a surprisingly cohesive album, representing pan-genrism at its best. Read more »
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