Shackleton, eclectic producer and co-founder of Skull Disco, will embark on several North American tour dates in late February and early March. Culminating in San Francisco, the tour will find bass-loving Shackleton sharing stages with Eskmo, EPROM, and Kush Arora, guaranteeing many nights of sweaty, bass-throbbing abandon. Read more »
Last time we checked in with San Francisco producer Eprom, he was hanging out with people like the Glitch Mob and contributing to crunked-up, heavy bass remixes of Lil Wayne that practically blew up our website. Now that 2010 has rolled around, it appears that Eprom has done a bit of growing up, as he's not only got a split 12" with Eskmo slated for release on Warp, but he's given us "Never," a mature slice of post-garage wonkiness that wobbles, skitters, and pulses its way through more than five minutes of genre-bending magic. The song appears on the about-to-be-released Never EP, the debut release on the Surefire Sound imprint, and also features a remix from New Yorker and XLR8R fave FaltyDL.
You've got to imagine Damon Riddick (a.k.a. Dâm-Funk) to be the kind of guy who walks into a room and immediately sits down to play any instrument around him. That's just about the vibe you get when watching this video of an unplugged live performance of Dâm's Toeachizown track "I Wanna Thank U (4 Steppin' Into My Life)." Read more »
With ten years of music-making as Epstein under his belt, not to mention recent collaborations with Prefuse 73 and last year's full-length under his Helado Negro alias, Roberto Lange's latest album continues nicely along the aural pathway he has set for himself. "A Lost Animal" is indicative of this sound, featuring chattering vinyl samples, fuzzy syncopated synth lines, and complicated rhythms as influenced by hip-hop as they are by South American folk music. And with the soaring vocals of School of Seven Bells floating over much of the track, "A Lost Animal" is the perfect ear candy for a lazy afternoon.
The disco-punk aesthetics of former DFA associate Tim Goldsworthy are all over Archie Bronson Outfit's first single from their forthcoming third album, Coconut. With its bouncing disco bass riding over deep kicks and dry snares, the angular guitar melodies and pulsing synths of "Shark's Tooth" are given a lovely dancefloor energy, and the track's wistful vocals make it a certain indie-dance night floor-filler.
This 20-year-old Japanese trio's greatest liability is the psych baggage they're saddled with. On a major label in their own country, the band's previous releases were put out Stateside by Mesh-Key, a label run by Invisible Conga People's Justin Simon; Hollow Me/Beautiful finds the band on DFA for one of the label's most uncharacteristic releases. Their tenth album blasts off with smooth jazz saxophone rather than mega-fuzz guitar, and "Dekinai"'s two-note tremolo riff only sounds familiar in comparison—like someone dropped The Fall into an episode of H.R. Pufnstuf. Read more »
Jack of all trades Mike Ladd returns in April with the third installment of his Infesticons project, a musical vehicle aimed at combating "indifference and apathy." Combining hip-hop swagger with funk's intensity and punk's attitude, the Infesticons' Bedford Park features appearances from slam king Saul Williams, among others. Read more »
It seems that the ladies of UK funky are truly bringing it in 2010, as April will see the Hyperdub release of Ikonika's first artist album, Contact, Love, Want, Have, and on top of that, Cooly G is now the subject of a television spot which you can view below. It's certainly refreshing to see some ladies riding the top of an explosive production wave that doesn't look like it's crashing anytime soon!
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Kuniyuki Takahashi, better known as simply Kuniyuki, will release his third full-length this spring on the ever-dependable Mule Musiq label. Perhaps best known for the many remixes of 2005's "Earth Beats" and his jazzy deep house style, Kuniyuki's explorations of jazz forms on Walking in the Naked City land somewhere between the deep house of the Moodmusic label and the West Coast jazz swing of Dave Brubeck. Read more »
Polish electro-acoustic composer Jacaszek is riding a wave of interest in his work, what with his recent Resident Advisor podcast and numerous soundtrack projects under way. "Lament" is exemplary of Jacaszek's work, which shares Henryk Górecki's ponderous movements, Arvo Pärt's neo-classical melodic sensibilities, and dark atmospheric flourishes that wouldn't be out of place on a Burial record. Tonight, Jacaszek will be playing with members of the ACME orchestra at Le Poisson Rouge as part of a showcase of Polish composition, which has been given a special spotlight as part of this year's Unsound Festival, wrappin up this Sunday in New York.
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