Brooklyn's Mux Mool makes some truly idiosyncratic music, layering synth sounds that belong in off-kilter Italo tracks with beats that come straight from hip-hop. On "Ballad of Gloria Featherbottom," cosmic arpeggiations are placed atop weird harpsichord-like synths to truly epic effect, and the percussion seems culled from drum-line samples augmented by deep kicks. Set course for the moon with this one, which is out now on the Ghostly Presents Moodgadget: The Nocturnal Suite compilation.
Post-punk psychedelic warriors OOIOO have just released a new album, so they've offered this extraordinary piece as a little taste. Featuring a minimal vocal repetition, sex-funk bass, cock-rock guitar solos, and distorted exclamatory lead vocals, "OOIOO-OOIAH" is totally weird and addictive. Little synth bits come in here and there, while the track's live percussion keeps an organic feel that is most unexpected. Much like frontwoman Yoshimi's work with Eye and the other freakonauts of Boredoms, OOIOO sonically questions the boundaries between minimal/maximal, acoustic/electronic, and organic/synthetic.
Here you have it, over two hours' worth of only a fraction of the product released by Steve Goodman's (a.k.a. Kode9) London-based Hyperdub franchise. It's more than a beginner's guide, however. Re-mastered Burial tracks "Distant Lights" and "South London Boroughs" are joined by Kode9's own "9 Samurai" and steady contributions from Kevin Martin projects The Bug and King Midas Sound. Hyperdub's new 8-bit 'n' bass and wonky directions are also represented via songs from Ikonika, Quarta 300, and Darkstar, not to mention a choice cut from legit UK funky goddess Cooly G. Read more »
December will see the release of Nottingham producer Lone's third full-length, his first for Werk Discs, entitled Ecstasy & Friends. The record moves gracefully from leftfield hip-hop beats to boogie tracks reminiscent of Dam-Funk, stuttering hip-house to silky R&B. With a penchant for sunny, spacy synths, Lone's latest effort brings him further into the ranks of contemporary beat exploders who are changing what soulful music can sound like.
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Tigerbeat6 offshoot Tigerbass has really ramped up its release schedule as of late, seemingly dropping a new collection of raved-up and tweaked-out bangers every few weeks. The new Jealous Swingers EP from UK-born and Berlin-based Genuine Guy is no exception. "The Illegible Bachelor" marries old-school acid squelch with swirling synths and an '80s funk bassline; bolstered by a bouncy house beat, the track should help liven up your Monday. Hell, it should liven up your whole week.
This week Inbox hails President Bongo (a.k.a. Stephan Stephensen) of effervescent Icelandic techno collective GusGus. The affable President takes us through a couple of horrific minutes of confusion onstage at The Fillmore, the bliss of Icelandic swimming pools, sweet thievery for Mom, and a very detailed (and oddly upbeat) account of losing an appendage. GusGus’s latest full-length album, 24/7, is out now on Kompakt.
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Taken from their debut album, This Great Pressure, "In America" finds scatterbrained LA duo Jogger artfully combining wistful indie-folk songwriting with a myriad of buzzing bleeps, bloops, and Casio beats. Eventually blooming into a toe-tapping dance number reminiscent of Jimmy Tamborello's various projects, it's easy to see why Daedelus made This Great Pressure the first release on his new Magical Properties imprint.
Fuck Buttons' second album is an hour-long psychedelic workout that sounds like a singular complete thought—one hypnotic rhythm section and one batch of refried, melodic white noise from start to finish. While Andrew Weatherall's seamless editing and production help certainly played a role in the album's cohesive mix, Andrew Hung and Benjamin Power's deceivingly limited sound arsenal truly emboldens the band's sprawling noise epics. Read more »
With everyone gearing up for Halloween tomorrow, this gothy disco track from Chicago's Gatekeeper is perfect for getting into the spook-tacular spirit. Taken from their new Optimus Maximus EP and sounding something like a collaboration between John Carpenter and Ministry, "Forgotten" will certainly appease black-clad creatures of the night, not to mention fans of fine disco everywhere.
To celebrate the long-overdue video release for Uffie's 2006 jam "Pop the Glock" and the dirty version of Girls' "Lust for Life" clip, we decided to compile a few of our favorite strung-out-indie-kid-nude-not-nude-pseudo-sex romps into one easy-to-digest stream. Enjoy. And keep your screen out of view.
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