As half of Black Devil Disco Club, Bernard Fevre decades ago invented his own stream of Italo-disco, only to vanish until a few years back. Now Fevre has rescued his own Strange New World from the mists of time, and we find that he long ago dialed up a psychedelic, sci-fi spin on library music, conjuring bodily thrills and spinal chills, decades before Boards of Canada mined similar terrain. Read more »
This remix is simply down 'n' dirty. Aptly, too, as it features Australia's own Bertie Blackman, with a voice seductive enough to woo even the most celibate of Vatican priests. Here, the UK's Marco Del Horno—who you may recognize from his stints on pirate radio powerhouse Rinse FM—oversees a splendid transformation of the original's electronic pop sensibility into a bass-heavy dubstep tune. Stamping the song with characteristically grimy stabs and stringy synths while Blackman's silky voice floats atop the mix, Del Horno keeps the track from becoming a faceless wobble-bass workout.
With her new album, Don't Stop, getting ready for release November 17 on Smalltown Supersound, Norwegian pop star Annie has added a bonus EP to her forthcoming sophomore album. The five-track affair, entitled All Night, features music produced by long-time collaborator Richard X and Paul Epworth who's known for his work with Bloc Party, The Rapture, and Primal Scream, to name a few. Annie is also bringing her DJ skills to the US for a three-day stint in New York and California, playing new tracks and unheard remixes from her upcoming releases. More info after the jump. Read more »
Back in 1999, while much of the world was just getting to know Britney Spears and some of us were slowly wrapping our minds around the future funk of "Windowlicker," a crack team of software developers (including Robert Henke, a.k.a. Monolake) joined together in Berlin to pool their collective resources in aims to hatch a new "instrument" that would forever change not only music production but live performance as well. Read more »
October was one crazy month when it came to downloads on XLR8R.com. Whether it was Matias Aguayo's killer "Rollerskate," Lusine & Pezzner's exclusive "Station to Station" Tune in an Afternoon, or Lazer Sword's 8-bit-influenced "Koopa Boss Mode," everything you guys downloaded just oozed hotness. So, without further ado, here are XLR8R.com's top 25 tracks from October, chosen by you, the readers of this fine website. Read more »
Sunny Day in Glasgow: From a Scottish art college to a bedroom in Philly, shoegazer Ben Daniels brings it all back home.
Phillin' It: For years, Philadelphia has been shrugged off as New York's little brother—a place where displaced Brooklynites went in search of cheaper rents, bigger spaces, and a touch less 'tude. But what's emerged over the years is far more than simply a sixth borough. So for this year's special City Issue, we dug around the Fishtown, Northern Liberties, Chinatown, and every other little enclave we could find to bring you the best that Brotherly Love has to offer. Check back every few days for a new feature from the east coast's newest hotbed. Read more »
Between the rise of his Cómeme label and the release of his new album, Ay Ay Ay, 2009 has seen Matías Aguayo taking a major creative left turn. While the former Closer Musik member once made a name for himself crafting the finely tuned techno of his Cologne-based peers, he now spends his days twisting and turning the sounds of rhythms of Latin America into new-school dancefloor workouts. Read more »
If Jan Hammer and Danny Wang got together and embarked on a drug- and sex-fueled drive from Key West to Tijuana, Worst Friends' "I Wish I Don't Drop Dead" would make for the perfect soundtrack. Lush, delayed synth loops ride above a slo-motion disco beat, and eventually, sentimental piano harmonies emerge, making the track too resonant for Miami but just right for motoring through the greenery and dust of the American south. Taken from the new Ghostly Presents Moodgadget: The Nocturnal Suite compilation—for another sampling, check out the Mux Mool track we posted earlier in the week.
For the first recorded peep out of Jim O’Rourke in years, we’re treated to The Visitor, an ornate, 38-minute mini-orchestral piece played entirely by O’Rourke himself. A former member of Gastr del Sol and Sonic Youth, O’Rourke has assumed a number of musical guises in the past, and this time out he crafts a pastoral instrumental glide through his own musical past. Beginning with fingerpicked guitar, it gradually incorporates banjo, piano, pedal-steel guitar, and clarinet in gently shapeshifting, increasingly somber motions. Read more »
As we discovered in our recent feature, Philadelphia's main attractions aren't so much cheesesteaks and cracked bells but refreshingly cutting-edge music and art. The bittersweet tunes of Cold Cave are no exception. Here, we're treated to a new track thanks to indie giants Matador giving the goth-inspired quartet's Love Comes Close, a re-release with three bonus tracks. "Theme From Tomorrowland" is one of the extra tunes, not to mention an excellent addition to Cold Cave's already solid repertoire of dark, no-wave pop à la OMD and classic Factory Records.
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