The rise of London duo Disclosure is the kind of story that makes music journalists salivate. First off, its two producers are brothers—a relationship which has become increasingly uncommon in the current musical landscape—and, to sweeten the deal, the siblings dropped their first single at the astounding ages of 16 and 18. That was a little less than two years ago, and, since then, Disclosure's productions, which began as deft pieces of post-dubstep admiration, have blossomed into increasingly robust slices of soul-laden bass music, proving that the artists' relatively young age is merely a footnote in an impressive trajectory that has ushered in a string of singles, a free EP, and a consistent run of quality remixes. Read more »
Istanbul resident Biblo—who first appeared on our radar as a participant in last year's Red Bull Music Academy in Madrid—recently dropped an album's worth of dark, textural tracks on her Bandcamp under the title Projection. Here, we have one of its selections, "Falls Silent," a cut that folds a bobbing kick and rim pattern underneath a gloriously thick piling of ceaseless static and ghostly vocals. Somewhere buried in the mix, a few delayed chords appear, frequently hitting on the upbeat before being washed away in globs of processing. The elements combine to render "Falls Silent" something like a dub-techno track through the filter of, say, Tri Angle Records or an artist like Grouper. You can stream the entire Projection LP (and download it for a price of your choosing) after the jump. Read more »
Over the past two years, London trio Dark Sky has clawed its way into the bass-music conversation on the back of strong releases for labels such as Black Acre, Pictures Music, Blunted Robots, and 50 Weapons. The strong label pedigree certainly hasn't hurt the young outfit's profile, but the success of Dark Sky can be boiled down to one simple element: drums. More specifically, big, clacking, organic-sounding drums. Often juxtaposed against pastoral melodies which only amplified their impact, Dark Sky's drums capture the snappy, steppy immediacy of UK funky, even as the group utilizes those infectious rhythms in a variety of different ways. Black Rainbows is the trio's latest offering, and marks a return to the Black Acre imprint. Once again, the drums are awfully important, but the record also finds Dark Sky trying its hand at a few new tricks. Read more »
From the opening piano chords of this Murphy Jax dub, it's clear you're in for an undertaking of tried-and-true house. The Berlin-based remixer works Headman's (pictured above) "Be Loved" (the original version of which dropped late last year) into an almost entirely instrumental dub, stripping most of the vocals away and focusing instead on the track's rythmic offerings: percussion, bass, hats, and the like—all anchored by a steady four-on-the-floor kick. It's clearly a tune inspired by classic house, but one that comes with a crisp aesthetic, placing it squarely in current dance-music territory. This dub version won't be included on Headman's upcoming EP, Turning, which is set to drop on April 30, but the six-track effort will include a proper Murphy Jax remix. You can check the complete EP tracklist following the jump. Read more »
We're all still a bit choked up from the bomb Air France dropped on us (he he, get it?) on Monday, when the Swedish duo announced it would be disbanding after nearly six years of making breezy, Balearic brilliance. And almost as a way to help us cope, Memory Tapes, a friend and labelmate of Air France's over on Something in Construction, has let loose a remix he did of the last tune to surface from Joel Karlsson's and Henrik Markstedt's collaborative project, the effervescent "It Feel Good to Be Around You." This new version employs plenty of strings and melodic atmospherics to keep the mood light, which the straightforward dance beat and funky bassline effectively do, too. Then there's this vocal sample; it's a bit indistinguishable, but the last couple of words stand out. Maybe it's just our minds playing tricks on us, but we could almost swear she's saying something like, "Are you with Air France?" And, of course, our only answer can be "Yes."
Heralding from America's third largest city, Supreme Cuts is a duo well-versed in Chicago's traditions of house, juke, and footwork. Flickering images of those distinct dance-music ingredients swim into view on this new cut from the outfit's forthcoming LP, Whispers in the Dark (out on June 12 via Dovecote). "Lessons of Darkness (Apology)" is no mere exercise in genre tropes, however. One could practically cough on the dense, atmospheric production Supreme Cuts exhibits; humid drums emerge from the smoke only to burst through in a sparkling display of celestial melodies and pop sensibility. The project seems to be a fully realized sum of its parts, and as legendary juke veteran DJ Gant Man said about this release, "I fucks with this. Y'all snapped." You can take a look at the cover art and tracklist for Whispers in the Dark before it drops, after the jump. Read more »
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