Clocking in at nearly 13 minutes in length, it's almost a shame to refer to the intricately animated clip for "Brownian Interplay" as merely a music video. The song, a refined piece that tastefully combines ambient soundscapes with classic techno, is taken from Ideas from the Pond, the just-released new album from Croatian producer Petar Dundov, which is streaming in full after the jump. Read more »
Black Orange Juice is prepping its first EP, Back of My Car, to drop on April 14 via Somethinksounds. The London group, which was started by Hyperdub affliate Ossie, makes R&B-influenced house music, and Ossie's own remix takes his group's sound into acidic, garagey territory. This six-minute cut shuffles through an acid bassline and a melange of stuttering percussion, all of which is anchored by creepy, sex-crazed, Drake-ian lyrics like "She said don't be sleazy, it won't be easy, you have to please me, so don't go too easy." You can check out a preview of the rest of the Back of My Car EP, as well as its tracklist, after the jump. Read more »
LA-based songwriter Sean Bones traffics in breezy pop songs, but he's called on NYC beatmaker Expensive Looks (pictured above) to remix his latest single, "Here Now," into something entirely different. The remix traps the sunny, SoCal glow of the original and crams it into a slower, gloomier, and more introspective piece of downtempo beatwork. It seems like a specifically claustrophobic, New York take on the light-hearted work of a Southern Californian.
At one time, the story of house music was an underground and niche thing. Like a futuristic oral history, its sagas were created and relayed to new generations of dancers via turntables and loud speakers. If you lived in ignorance of the regions where its influence fell, chances were that you'd be completely out of the loop. Yet, the past 10 years have seen the arrival of new modes of communicating the subtle nuances of this once secret tradition. The socially connected internet, and the database mentality it promotes, has given rise to a new breed of producer that is able to craft near-perfect simulations of classic dance music. Amidst this revival, some older artists have had a hard time establishing a foothold in the new school. Read more »
Manchester producer Damu has just shared "Sjunga" with the world, a new track hot on the heels of his debut LP, November's Unity. The short cut is steeped in the quirks of UK garage, with heavy doses of both two-step percussion and processed, pop-vocal sampling. True to the song's namesake (sjunga means sing in Swedish), vocal samples converge at the piece's climax, making for a quick, whimsical burst of melody. You can check out Damu's XLR8R podcast that he dropped last fall, here.
As was first unveiled back in February, Non Projects boss and Southern Californian musician/producer Brian Allen Simon (a.k.a. Anenon) will release his Acquiescence EP on March 27, but a day before it lands, we've got the exclusive stream of that record for your listening pleasure. Read more »
"Fun" isn't exactly the first word that comes to mind when discussing the grab-all term that is "bass music," but it does sound like Distal had a good bit of fun reworking "Flesh Eaters." Sure, there's nothing jovial about the music here—in fact, it's pretty sinister—but Distal does seem to have an effortless command over his sonic landscapes; we'd like to imagine he enjoys exercising this control as much as we enjoy listening to the results. Bouncing us through a few infectiously heavy rhythms, the Atlanta producer takes this rework to every imaginable corner, even cutting the drums entirely at one point and landing the tune in almost new-age territory for the briefest of moments. If the original version from The Pearl is half as good as this, then the forthcoming 7" from Circuitree (artwork above)—which will serve as home to both versions of "Flesh Eaters"—should prove a worthwhile use of wax. You can pre-order that 7" before it officially drops on April 12 over on the label's Bandcamp.
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