While the world patiently awaits his forthcoming Personality LP, UK tune specialist Paul Rose (a.k.a. Scuba) has shared the b-side from his 12" single for "The Hope." "Flash Addict" is a heavily percussive and densely atmospheric cut that exhibits Rose's knack for combining sonic subtlety, infectious rhythm, and unique sound design in one propulsive club production. If the b-side of Scuba's single sounds this good, you can imagine what the main event will bring when it drops on February 6.
After contributing a standout track to Dropping Gems' recent Gem Drops Two compilation, Portland producer Natasha Kmeto has revealed plans to return to the label with a new EP, The Ache (artwork above). "Detox Saturday" appears towards the end of the forthcoming endeavor with a bouncing beat, space-age synths, and some deliciously buzzing low-end glides. The heavenly vocal harmonies which float atop the beat are Kmteo's own, side-chained and looped in order to add an extra sense of rhythm and movement to the three-minute endeavor. We're told to expect similarly vibrant efforts that combine bass-centric productions with hearty helpings of soulful vocals when The Ache drops on February 14. You can peep the full tracklist for the forthcoming EP after the jump. Read more »
For much of the past decade, Scott Hansen has been piling up accolades as an artist. But prior to last year, it's fair to say that he was often thought of as an amazing graphic designer who also happened to make some nice tunes under the name Tycho. In 2012, following the widespread acclaim surrounding Dive, his most recent full-length, Hansen's musical chops have moved to the forefront, and it's likely that a certain portion of Tycho fans now know a lot more about his songs than his design work. Questions of perception aside, there's little doubt that the San Francisco-based Hansen is an incredibly talented individual. But given that the recent spotlight has shifted toward his musical output, we figured now would be a good time to delve into Tycho's studio and find out a little more about exactly how he creates his rich, synth-laden soundscapes.
XLR8R's In the Studio series is sponsored by Dubspot. Read more »
First up on the 2012 release schedule for the burgeoning, multi-national Cascine imprint is a digital EP from Michigan producer RxGibbs. The title track from that six-song release perfectly encapsulates the cool energy and lush ambiance found on Futures, all of which evokes the expansive dance music of Blondes or The Field, but maybe with a subtle nod to the kinds of retro-futuristic synth-pop and Balearic vibes that Cascine has built its reputation on. Look for the rest of RxGibbs' solid EP when it drops on Feburary 21.
On They!Live, UK producers Benjamin Damage and Doc Daneeka continue to find the point at which the former's rolling techno sensibilities meet with the latter's percussive house inclinations. Expanding on the "Creeper" b/w "Infamous" single, the pair's first collaborative LP presents eight new tracks (and one album edit of the aforementioned "Creeper") that voyage into continually deeper territory, and, surprisingly, the results are not always aimed at the dancefloor. Read more »
This cut of gritty, futuristic hip-hop is the result of a collaborative effort between one Jon Phonics (pictured above) and LuckyMe cohort S-Type. Together, the two producers have amassed a litany of blistering synths, skittering hats, rolling toms, crisp chords, and ascending arps to qualify "Swamp Donkey" as a full-to-the-brim head-nodder. But this collaborative effort is not merely a one-off for Phonics, as the up-and-coming Londoner has turned in a total of three original tunes for his upcoming Grid Games EP, which showcases the young man's talents alongside fellow beatsmiths BUG, Pete Cannon, and Jeeks. After giving "Swamp Donkey" a spin, you'll find the artwork and tracklist for that forthcoming EP—which, incidentally, marks the inaugural release of the PRISM label—after the jump. (via Earmilk) Read more »
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