Last week, 2012's most ubiquitous hip-hop hit thus far, by Tyga, got the official remix treatment, replete with guest drops from Wale, Meek Mill, Fabolous, Young Jeezy, and T.I. Not to be outdone by the Young Money crew, Glasgow's Taz Buckfaster (pictured above) has released his own (not-so-official) remix of the tune, with more bass than you're likely to hear on the radio. This hard-hitting piece of hip-hop takes Tyga's rap, pitches it both up and down, and places the two versions side by side over skittering hi-hats for a heavy and full bit of bass music.
Melbourne's Galapagoose has announced the impending release of his debut LP, Commitments, on March 13 via Daedelus' Magical Properties imprint (via Two Bright Lakes in Australia). The Aussie producer has shared the arresting "One Who Can't Move" in advance of that record, a two-minute song that mashes together a vocal and piano sample with airy synth lines and turns the side-chain compression up to 11. It all results in a unique crossover between frozen-in-place beat music and a sort of downtempo house. You can check out the artwork and tracklist for Commitments, after the jump. Read more »
London-based UK funky patron Champion has announced a forthcoming new single, "Crazy," which features the vocal stylings of Princess Nyah and a remix from Terror Danjah & D.O.K on the flip. Read more »
With the release of Maribou State's Olivia EP only days away, this remix of the title track from mysterious newcomer(s) MAO is quite timely. The memorable combination of chopped vocals from the original remain in tact, but the melodic marimba melody is cut to bits as the already moody tune turns even darker on this garage-leaning remix. MAO—which will release its own record, "Emeralds" b/w "Harken," on April 2 via Bad Life—tailors this tune for the late-night dancefloor, with a steady rhythm throughout and a mix-friendly intro and outro.
Very little biographical information is known about Dublin's Faws, who recently shared his debut EP, Antonym (pictured above), as a stream on his Bandcamp. "Take Notice," the first track, features a filtered, repeating R&B vocal cushioned by soft, jazzy keyboard samples and percussion. The song is a sparse, downtempo sketch that recalls the more subdued beats of today's class of atmospherically attuned producers, such as Shlohmo or Matthewdavid, but nonetheless retains a unique musical sensibility all its own.
It's absolutely no surprise that when Ifan Dafydd first appeared on the scene with a couple of bootleg remixes streaming on YouTube, people thought it was James Blake operating under a pseudonym. The bubbly rhythms, the rich synth chords, the fractured vocal blips, the soulful musicality, the big sub frequencies; it was all a bit too coincidentally familiar. (Hell, the Welsh producer even looks a bit like Blake.) "Miranda" and "No Good" sounded like an ideal mix of the sullen ballads heard on the divisive James Blake and the percolating post-you-know-what offered by cuts like "CMYK," but, as it turns out, Dafydd is certainly his own man with his own tunes. His debut 12" for Push & Run, however, doesn't exactly prove it. Read more »
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