Ohio's Brothertiger has remixed "Brooklyn Sunburn" by Vancouver chillwave survivor Teen Daze (pictured above) ahead of the latter's proper debut LP, All of Us Together, which drops on May 22 via Lefse. This isn't the first time the two have collaborated as such—last fall Brothertiger dropped an uptempo remix of Teen Daze's "Surface." Similar to that cut, this remix turns up the gas on the original by adding a more danceable beat and throwback arpeggios, yet still retains the nostalgic haze of Teen Daze's original work.
It has almost been two years since Midland first appeared on Aus alongside the man who was then pumping out tracks as Ramadanman. (As you likely know, these days, he's more commonly referred to as Pearson Sound.) Since then, the London producer has made quite the reputation for himself with a series of singles and remixes, and appears poised to continue doing so with plans to drop a new EP, Placement, for Aus later this month. Read more »
The run of the (mostly) vinyl-only RAMP sub-label Brainmath has proven a bit elusive from this side of the pond. Since first appearing on the scene with a single-sided Zomby 12" in late 2008, the imprint's string of releases steadily showcased a roster of London's burgeoning bedroom producers, capturing some of the earliest output from James Blake, SBTRKT, and Untold, among others. Brainmaths Vol. 1 brings together a large portion of the label's output for a nine-track compilation that helps us put the pieces together, but still leaves a few gaps in the story. Read more »
Back in January, some of the initial details surrounding the 2012 edition of the Unsound Festival in New York were revealed. While the initial batch of artists, which included Demdike Stare, Pole, Ital, Hieroglyphic Being, and Hype Williams, was certainly enticing, it pales in comparison to the announcement that shadowy UK producer Actress (pictured above) will be crossing the Atlantic to perform his first-ever live set in the US as part of this year's Unsound festivities. Read more »
Glasgow's Debukas is only a couple weeks away from dropping his second EP for the 2020 imprint, Pleasure Patterns (artwork above). In preparation for the release, a remix of the EP cut "Golden Mind" has surfaced from Spanish producer Pional, a name some may recognize from his recent role as a collaborator on the tracks "Destiny" and "So Will Be Now..." from John Talabot's XLR8R-picked full-length, ƒIN. The Spaniard appears to be exploring similar territory with this rework, utilizing the summery tones of electric piano, harp, and pitched vocal chords along with a burning disco beat. After giving Pional's remix a listen, you can check the complete tracklist for Debukas' upcoming effort—which drops March 26—after the jump. (via Pitchfork) Read more »
We originally heard the first single to arrive from Oakland beatsmith Elephant & Castle's forthcoming Transitions LP (dropping on March 27 via Plug Research) back in July of last year, but we're nonetheless excited that a live performance of "I Will" was recently shot by San Francisco videographers Echolocale. Read more »
Upon first listen to Photek's forthcoming DJ-Kicks mix, it may sound as if Photek and Pinch's "M25FM" transitions directly into "Dead Eye," a 1994 cut from Baby Ford and Eon. The compilation tracklisting, however, indicates that this tune, "No Agenda," is actually crammed somewhere between the two. On DJ-Kicks, Photek mixes in and out of "No Agenda" deliberately and creatively, sprinkling in only parts of the tunes' arpeggio, synth stabs, and blips, never quite introducing the full force of the track. With its big, four-on-the-floor kick and thick bass, the song does pack something of a wallop, despite its slowish tempo and introspective vibe.
Let us preface this post with a note that this certainly isn't the first time a producer has given away their remix of KP & Envyi's 1998 hit single "Swing My Way," but, hey, we're always down to check out new treatments of the R&B group's soulful vocals. Young producer Balam Acab recently offered his version of the tune via Twitter, and it's pretty much what you'd expect from the talented artist: aquatic samples mingling with pitched-down, slowed-down singing and a beat that sounds like Neptune's G-ride scraping the bottom of the ocean floor.
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