How is it possible that Gerry Read is only 19 years old? While many producers' output is said to harken back to classic Chicago and Detroit, that usually amounts to little more than some vintage drum samples and a vague sense of nostalgia. Gerry Read, on the other hand, has spent 2011 turning out one well-refined house tune after another, assembling a collection truly deep tracks that make the young UK beatsmith sound like a grizzled veteran. "All by Myself" b/w "What a Mess" is his latest offering, the final piece of his trilogy for the Fourth Wave imprint, and another example of the man's baffling musical maturity. Read more »
A couple weeks back, Dutch producer Conforce (a.k.a. Boris Bunnik) released Escapism (artwork above), his second full-length album. In line with his previous output on the esteemed Rush Hour and Clone imprints, Escapism offers 10 cuts of darkly melodic techno, including "Shadows of the Invisible." The song doesn't contains many overt bells and whistles, instead relying on machine-like efficiency and a robust, Detroit-style melodic sensibility. The drums are crisp, the bassline rumbles and rolls, and the vibe rises and falls with the track's drawn-out melodies. Need something to keep the dancefloor pulsating at 3 a.m.? "Shadows of the Invisible" just might do the trick.
One of the world's most talented DJs and one of the innovative minds behind the always impressive Numbers label, Jack Revill (a.k.a. Jackmaster) delivered the latest Resident Advisor podcast just today. Read more »
The brotherly pair of veteran Detroit producers Lawrence and Lenny Burden (a.k.a. Octave One) has had a busy 2011, celebrating 20 years of music making with a series of remixed tracks, performances across the globe, and even—wait for it—releasing their own iPhone app. Now, the Burden brothers have unveiled the details of a new retrospective record that "revisits" their two-decade discography and presents new versions of Octave One's classic tunes. Read more »
We've got quite the international tune for you here with the title track from Mexican producer Lao's new EP for the Ukranian Wicked Bass imprint, Papolin (artwork above). (Apparently, the love for percolating bass music can easily traverse the world.) Beginning in the depths of dark, percussive club sounds, Lao builds his track up to almost anthemic heights with a never-ending array of tuned rim shots and massive, housey synth stabs. "Papolin" comes complete with a few nods to the producer's homeland, too, in the form of some deliciously Latin-sounding percussion and occasional Spanish phrases. We can't really make out what's being said, but it would be entirely appropriate if it all translated roughly to, "This track is hot. Let's get to dancing."
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