St. Petersburg-based producer Nocow has just announced the imminent release of Ruins Tape, his upcoming beat tape on Russia's G5 Music. This comes following a short (but impressive) string of releases that developed a sound reminiscent of the bass-leaning communities of London and Los Angeles. In advance of Ruins Tape, he's slipped us the intensely atmospheric "You Got Me" as a teaser. Continuing in the vein of "Moonlight Flit" (which we posted a few months back), "You Got Me" combines a complex and broken rhythm with deep washes of synthesized color and a wistful but unintelligible vocal hook. Ruins Tape comes out September 12 in two distinct versions: free on bandcamp and on cassette with a limited run of 100. In the meantime, grab "You Got Me" below and check out the song's dreamy video after the jump. Read more »
Lapalux, the solo endeavor of Essex-based producer Stuart Howard, may only be a few years old now, but the 22-year-old artist has long been hard at work carving his own niche into the somewhat oversaturated world of beat-centric electronic music. As Howard puts it, "I used various aliases and genres, but none of it really stuck. Read more »
Midnight Magic to Release New Single with Remixes by Holy Ghost!, Steffi, Mano Le Tough, and Juan Maclean
Midnight Magic has just announced "Drop Me a Line," the follow-up single to last year's anthemic "Beam Me Up." Admittedly, this is a tall order, as "Beam Me Up" was one of the biggest tracks of the summer of 2010 and featured some incredibly strong remixes. Read more »
As is with most post-rock bands, the music of Chicago veterans Tortoise could quite often be described as cinematic, so it's more than fitting that the quintet will be providing the soundtrack for a brand-new film by the director of The Blair Witch Project, Eduardo Sánchez. Read more »
Still bummed that Institubes is no more? Not to worry, off-shoot label Marble has you covered with Pulsar, a brand-new, collaborative EP from long-time Institubes mainstays Das Glow and Para One (who just so happens to be one-third of the Marble braintrust). To introduce the new EP, the duo has sent over the gritty a-side, "Pulsar." Featuring a noisy rhythm section, percussively descending chords, and surprisingly smooth vocal harmonies, "Pulsar" is an infectiously danceable slice of pop-techno. Pulsar is out now, and interested parties can stream the whole EP from Marble's website.
When it comes to legit Detroit techno credibility, it's hard to top Stingray313 (a.k.a. DJ Stingray a.k.a. Sherard Ingram). The man is affiliated with Urban Tribe and Underground Resistance, pals around with Moodymann and used to serve as Drexciya's tour DJ. He also heads up his own imprint, Micron Audio Detroit, on which he's releasing this new EP, Electronic Countermeasures. Read more »
Last week, we tipped you to Chilean-born, Spanish-residing DJ Alejandro Paz and his kwaito-tinged remix of Auntie Flo's "Oh My Days." Now, he's back with a free, brand-new single from his collaborative project with fellow Chilean producer Roman. Freshly released on Discos Pegaos, "La Hora de Bailar" sees the two producers putting their own unique spin on the material from a live jam session. Alejandro sent us his version as a way of introducing the project, and "La Hora de Bailar (Versión Alejandro Paz)" rides a bongo-led rhythm through a wild party of Arthur Russell-style vocals and detuned orchestral stabs. The full single is available for download from the Discos Pegaos website.
If you're still not familiar with Brighton bassman Guy Andrews, please take the time to introduce yourself to his kind of minimalistic, percussion-heavy club productions via our Bubblin' Up feature and this premiere of "Klikkr". Now that you're all caught up, prepare yourself for the newcomer's first-ever EP, which is on its way soon from Discobelle. Read more »
Chicago-based artist Willy Joy sent this fresh cut over to us with the note, "It's a little different for me," which we assumed to mean that "Gimme Dat" would be something he wouldn't normally produce. And sure, "Gimme Dat" is a bit more experimental and less melodic than what we're used to hearing from the DJ/producer, but the high-quality sound design, booming dancefloor riddims, and high-energy vocal samples are still there, making the song less of a revolution and more an evolution of the club-ready style that he's so well-versed in.
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