Los Angeles-based beatmaker and Flying Lotus collaborator Samiyam announced he will soon be releasing his second proper LP, a follow-up to 2008's Rap Beats Vol. 1, called Sam Baker's Album. Read more »
We found out just last week that Austin's Dubbel Dutch had a five-track white-label 12" coming out today (April 12) via Dutty Artz. Now that the official release date has arrived, the internet is treated to one of those hyped-up tunes courtesy of the Brooklyn-based label, the sparse "Fem Pressure." With only a kick, snare, and some subtle percussion sounds, Dubbel Dutch creates the buoyant riddim that carries his production—adding just a small number of understated melodic elements and brief sound effects to finish off his tasteful club jam. If you still need more free music from the Texan tunesmith, grab his remix of "Bullacake" by bassline producer Dexplicit here, and stream the rest of the Dutty Artz white-label record below. Read more »
At this point, Paul Rose doesn't need a whole lot of introduction. As head of the esteemed Hotflush imprint and an impressive producer in his own right, the UK-born, Berlin-based artist best known as Scuba has played an instrumental role in guiding dubstep towards brighter, more techno-influenced pastures. Read more »
Hype Williams, the enigmatic Berlin-London duo consisting of Russian-born Inga Copeland and London's Dean Blunt, is not your typical band. They're not in the game to promote themselves, create a brand, or end up on MTV Read more »
Nearly two months after we discovered that Amsterdam-based DJ/producer Tom Trago would release his first proper full-length album, Iris, on April 12 (you know, today), we finally get to hear one of that record's 15 highly anticipated, disco-indebted tunes. "Being With You" is the second track on Trago's debut LP, and shows the artist already knee deep in bouncing, uptempo beats, a whole lot of funky synth work, and some sultry, vocal-sample soul. During its three and a half minutes, the production effortlessly slides back and forth between deep moods driven by analog synth pads and understated string melodies, and tasteful dancefloor grooves highlighted with touches of sparkling ambiance. It's certainly a great first taste of an album that took over 10 years to arrive, to say the least.
Though at this point Southern California artist Ryan York is best known for his work as Asura on the Non Projects label, he branches out here under his given name for a new EP released on Matthewdavid's imprint from around the way, Leaving Records. One of the seven jams on the Zipperlegs EP, "All Our Favorite Colors" certainly retains many of the elements we enjoy from York's work as Asura (save his Unreleasables tracks): woozy melodics, etheral vocal flourishes, and subtle rhythmic work to name a few. It does seem like the producer dug a bit deeper into his love for fuzzy ambiance, tape compression, and live electronics for this project, resulting in a lovely stylistic shift across the board. You can grab the rest of York's Zipperlegs EP on limited-edition cassette or digital download today.
Japanese electronic music imprint Mule Musiq has its second installment of the Enjoy the Silence series slated for release next month. The second volume of the ambient-focused compilations comes two years after the first, and will feature the likes of Terre Thaemlitz, Koss, Lawrence, and Kassem Mosse (pictured above), among others. Read more »
As San Francisco producer Jasper Reeder (a.k.a. NastyNasty) said in his email when he sent this track over, "The Weeknd (pictured above) is on fire right now," and it's completely true, if not inescapably obvious (the Canadian outfit just announced over 200,000 official downloads of its free House of Ballons mixtape). And what happens when that kind of hype surrounds a fresh, young artist? The (unofficial) remixes start pouring in. Just as we finished clearing our inboxes of edits, reworks, and covers of every song The xx ever wrote, tweaked versions of The Weeknd's tracks filled them back up. It makes sense, too; silky, slow songs like "The Morning" and "What You Need" are practically begging for a double-time dancefloor edit. NastyNasty's own contribution to the onslaught is a footwork-slanted take on House of Ballons opener "High For This," which essentially tosses breakneck 808 drum patterns and buzzy synthscapes over the slow-burning tune. Thankfully, Reeder doesn't overload the already stellar song with his production ideas, and strikes an ideal balance between his own hyped-up musical style and the grimy soul of The Weeknd's original.
- NewsThe Lowdown - This Week's XLR8R Top 10 with Aphex Twin, Jamie xx, Todd Terje, and More
- Feature20 Questions - Robert Hood Talks Underground Resistance, Kraftwerk, and Cheese Grits
- PodcastThe Range
- NewsPaul Johnson, Jerome LOL, Untold, The Gaslamp Killer, and More Added to Together 2014
- PodcastFrankie Knuckles
- 20 Questions - Robert Hood Talks Underground Resistance, Kraftwerk, and Cheese Grits
- Hi-Five - Dauwd Selects His Favorite Tunes from the Kompakt Catalog
- 20 Questions - Teebs Talks New Album, Low End Theory, and Playing 'Street Fighter' with Flying Lotus
- Hi-Five - DJ Q Reminisces About His Five Favorite UK Garage Bootlegs
XLR8R Downloads Player