The constantly innovative duo of Rob Booth and Sean Brown (a.k.a. Autechre) has another release on the way through their longtime home, Warp Records, but this won't be another batch of new songs following last year's release of the Oversteps album and the Move of Ten mini-LP. The veteran outfit is reissuing its EPs in a five-disc, 47-track box set. Read more »
Coming somewhat out of leftfield is this fresh cut of deep, Italo-inspired disco from the UK's Gatto Fritto, an elusive artist crafting solid dance tracks on the fringes of obscurity. And yet somehow, the producer's forthcoming record is being championed by the likes of Tim Sweeney, Prins Thomas, and JD Twitch, including the epic "Hex" number. The lengthy jam brings to mind the kinds of tracks you'd catch blaring from Johnny Jewel's ghettoblaster in the middle of a late-night house party at first, but expands its psychedelic synthscapes and motorik beat work to better fit something Lindstrøm might throw on the hi-fi during a drug-addled séance. Look for more of these shapeshifting sounds when Gatto Fritto drops his self-titled debut LP on April 26.
Here's a question for you: When (if ever) does Justin Broadrick sleep? Seriously, we'd like to know. The prolific musician gets the same amount of time in each day as the rest of us, but somehow manages to divvy it all up between working on his myriad projects—like Final, Jesu, Greymachine, The Blood of Heroes, and Pale Sketcher—without ever sacrificing quality for quantity. You have to imagine that the guy spends at least a night or two a week without sleep, and maybe that's when songs like "Seventh Heaven" are born. The ethereal groove of the title track from his latest Pale Sketcher release, a five-song EP for Ghostly (pictured above), bounds about like a nocturnal imp, always accompanied by the mesmerizing song of ghoulish waifs floating just above the late-night revelry of sub-busting bass, lurching beats, and textural synthscapes. And if you feel like traversing darker territories still, you can follow King Midas Sound's remix of "Seventh Heaven" further into the shadows, after the jump. Read more »
We told you about the impending collection of lascivious low-end on its way from German party specialists Schlachthofbronx merely a week ago, and now, to commemorate its release, the label responsible for dropping those four tunes has offered the EP's title track for free download. "Nasty Bass" has two marquee stars vying for top billing in its three-and-a-half minutes: MCs Spoek Mathambo and Big Space versus the producers' mind-rattling basslines. But even though one sect of the song's fans may fall in love with the sing-songy vocal delivery by the South African wordsmiths and the other may find themselves more in tune with Schlachthofbronx's bass frequencies, neither of those elements would move you quite the way they do without the other. That's a sign of a solid production, and chances are you can find more quality tracks on the rest of the Nasty Bass EP, which you can preview here.
Leading up to June, the outernational DJs/producers Jace Clayton (a.k.a. DJ /rupture) and Maga Bo are fundraising for chapter one of a new non-profit project they're calling Beyond Digital. Read more »
Coming in early summer, the one-time king of rave music (you remember our podcast, right?) and one of electronic music's few household names, Moby, will release a double whammy on his eager masses, a brand-new album that comes packaged in a book of original photos from the artist. Read more »
The multi-faceted UK producer behind one of our top 10 favorite releases from 2010 and recently featured artist in XLR8R’s print magazine, Matthew Cutler (a.k.a. Lone), just delivered a brand-new mix on behalf of Bleep and the online music retailer’s showcase at the upcoming Bloc Festival. Along with the likes of Aphex Twin, Jacques Greene, Ikonika, Shackleton, Ramadanman, Four Tet, Untold, and many other XLR8R favorites (check out the full list here, Cutler will take over the Bleep stage March 11, 12, and 13, and his mix offers us a taste of what to expect. Read more »
Over the past few years, Dutch producer Dave Huismans (a.k.a. 2562) has carved himself a solid niche in the murky territory that sits between the worlds of dubstep and techno. While he’s best known for his heady, low-end explorations, he also indulges a love for (slightly) clubbier sounds under his A Made Up Sound moniker. His upcoming album, Fever, finds him delving into yet another genre—disco. Well, sort of. Read more »
The past few years have seen an explosion of techno's sonic boundaries, with more leftfield and jazz influences creeping into a world more known for its sweaty four-to-the-floor workouts. Perhaps no other group has been more responsible for this sea change than dOP, the Parisian trio that has brought organic textures, live instrumentation, and a playful irreverence to the post-minimal landscape. Joining the group on the Circus Company label for his first solo full-length, Nicolas Jaar appears to be following in their sonic footsteps.
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