Last week, we premiered the first goods to surface from a remix trade-off between Montreal tunesmith Ango and his Bay Area counterpart Salva (pictured above). The "Part Time (Salva Remix)" track exhibited what the SF-based producer could do with his buddy's beats, and now we have the flipside of that exchange, "Mag Clips (Ango Remix)." Salva's original tune is described on his Soundcloud profile as "Toaster Oven Juke," and while we couldn't quite explain exactly what that means, we'd say Ango's remix could loosely fit the description as well. But while much of the original employs a slow groove with skittering percussion and bass wobbles dancing over the top, this version bounces hard and fast with light-footed dance beats while the deep synth washes waft undisturbed in the background. Read more »
Since Lemonade's Pure Moods EP dropped earlier this year, we've heard our fair share of remixes for songs from that release—many of them good in their own ways, but none that stood out as the one. And then yesterday, we came across this gem on Stereogum. Chicago DJ, producer, label head, and unofficial juke/footwork spokesperson Chrissy Murderbot (pictured above) took to Lemonade's "Remain in Jah" like DJ Rashad to an R&B hook, splicing the steel drums, new age synth pads, and airy vocal melodies into the flitting hi-hats, breakneck kick patterns, and smashing claps that make up his juke rhythms. All in all, it could very well be the best reworking of a Lemonade jam out there, but is certainly a wonderfully unconventional application of juke's hyperactive beats. You can check out Lemonade's upcoming tour dates after the jump. Read more »
Since their self-titled EP skyrocketed to chillwave fame last year, New York's Small Black has been somewhat sparse with its output of new material, only serving to build the anticipation for the group's debut full length, New Chain. Released earlier this week on Jagjaguwar, the 10-track LP finds the four-piece expanding its production techniques and songwriting to new regions and cementing its place atop the chillwave mountain. Read more »
Coming at the end of November, Scientist Launches Dubstep into Outer Space is a double-disc compilation, which will be released by Bristol's Tectonic label, with 12 unreleased and exclusive original tunes from a list of dubstep's finest. Read more »
XLR8R has been reveling in Ninja Tune's 20th anniversary all month long, and tonight the celebration steps up a notch with the Ninja Tune XX event in New York, to be followed this weekend by the equally enormous San Francisco and Los Angeles parties. To help ramp everyone up ahead of time, we're also sharing the final installment of our special Ninja Tune XX podcast series, and it's a doozy. Read more »
Now that Daft Punk seems to be going the way of its Parisian brethren Justice (really, have you heard this "Derezzed" business?), maybe we can all stop waiting with bated breath for anything resembling the funky, fun-loving tunes we first loved from the duo, and continue looking elsewhere for our fix of infectious French house. You can get started with Ghosts of Venice's just-released jam for the Solid Bump label, "Her," and its accompanying remix by Chicago's Bit Funk (pictured above). Rarely does a producer's moniker fit their sound so well; Bit Funk's "Her" remix is certainly full of funky house grooves, with just a tad of lo-bit synth energy to give it a special edge.
The collaborative outfit comprised of dubstep icons Coki and Mala, Digital Mystikz, recently announced that it will release a follow-up to this year's Return II Space, which was produced entirely by Mala, with another album made up of all Coki tracks. Urban Ethics is purported to be coming sometime in early 2011, and will be released by the duo's own DMZ imprint. Read more »
The fella behind our most recent podcast, Bristol producer Hyetal, also took the helm for this skittering remix of Ratatat's "Neckbrace." That duo's trademark sound arsenal—scraping grooves, layers of live instrumentation, and reversed synth/guitar swells—is re-fixed to fit the UK tunesmith's club-ready format, sounding like something more along the lines of Giorgio Moroder trying his hand at bass music. Surprisingly, it all meshes well, even when Hyetal isn't pushing his shuffling dance beats in the mix, and during lulls in the hyperactivity, Ratatat's melodic soundscapes are appropriated for touching vibes unavailable on the band's own records.
We've all heard about it, we've likely all been talking about it, and we now, can all hear it: Brian Eno's brand-new album for Warp, Small Craft on a Milk Sea. There's really no reason to try to compartmentalize or even describe the music on this record; the artist name and title alone do the job for us. So, we'll just point you in the right direction. Read more »
At this point, we're not even really bothered that Wiley has apparently reused his lyrics from this tune he did with MJ Cole on Prodigal's Showa Eski Riddim (you can hear that here). The flow is excellent, it works perfectly on both tracks, and besides, people constantly reuse ideas—and to great effect. Read more »
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