Although newcomer Close remains anonymous to most, he's apparently a connected dude, as he's already begun collaborating with such established artists as Ewan Pearson, Appleblim, and Scuba. Close's work with some of those collaborators will appear on his debut album, Getting Closer, which will eventually be released at an unspecified time in the future, but for now, the as-yet-unidentified tunesmith has sent over a remix of the aforementioned Scuba's "Never," one of the b-sides from the incredible Adrenalin EP. Close's version doubles down on the bass and replaces the freestyle-flavored original's breakbeats with more propulsive percussion. It's worth mentioning that Close has also completed remixes for Fink and Little Dragon, and is currently previewing clips from his forthcoming album on his website.
The first official release from Amsterdam's Audio Culture imprint, this three-track collaborative record from Presk & Cinnaman is surprisingly huge. But we're not just talking about the sheer size of "Sweat" itself (though it is a pretty big tune); there are two massive remixes that back this record, from Instra:mental's Jon Convex and Ten Thousand Yen boss Doc Daneeka, both of which threaten to eclipse the original production entirely. Read more »
Veteran UK producer Andrew Weatherall was tapped for a remix of the latest single to drop from Cut Copy's Zonoscope LP, "Sun God," and has delivered a sufficiently psychedelic and larger-than-life version of the jangly pop tune. Obviously, we can hear bits of Primal Scream in the mix (but maybe those could've come from Cut Copy themselves, actually), but we're quite partial to the churning rhythms and cyclical synth melodies à la Two Lone Swordsmen. Look for the rest of this single to drop with another remix from Weatherall on January 24.
As we mentioned last week, Kazu Makino, frontwoman of indie-rock group Blonde Redhead, has assembled a compilation to benefit her native country of Japan, which continues to recover from a devastating tsunami and earthquake while battling the ongoing nuclear crisis caused by the natural disaster. The compilation, We Are the Works in Progress, contains 14 tracks from a wide variety of artists, including "Moma" by Four Tet, which can you can stream after the jump. Read more »
Bringing to mind the syrupy productions of folks like Holy Other and Balam Acab, Providence, RI's Every shares this quick cut from his recently released Scant Cursory LP. Skittering hi-hat patterns meet punchy hip-hop rhythms and the vogue milieu of all-slowed-down everything on "Cut to the Chase." It may not be the freshest thing you've heard all year, but it should be reason enough for you to check out the rest of Every's 16-track album.
Laurence Matthew Blake (a.k.a. Citizen) appears to be a man of many talents. He's not only responsible for the new Vantity EP, which dropped on Australia's burgeoning Templar imprint earlier this week, but Blake has also released a video for the title track, which he directed himself. Read more »
For those of us who follow the moves of Hotflush boss Paul Rose (a.k.a. Scuba a.k.a. SCB) rather closely, the handle of Belgian up-and-comer Locked Groove should look familiar. His track "Drowning" made an appearance in the second half of Rose's recent DJ Kicks contribution and now, that cut, along with two others, will officially see a release early next year through Rose's own label. Read more »
Moscow's Galun builds his productions using only his mouth (well, and a computer). But this fact is much more than just a gimmick, as the singular choice of sound sources makes for some intriguing sonic layers as displayed on "Rainbow," a cut from Galun's recently released EP, appropriately enough titled Meltwith Myvoice (artwork above). Beginning with what almost sounds like an electric razor, "Rainbow" jumps all over the place, reaching almost operatic heights and then plunging to rumbling lows. Over the course of its four-minute runtime, it becomes apparent that even though the the Russian producer is only using his own voice, he's nonetheless able to digitally manipulate quite the sonic arsenal.
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