Geographical proximity and recent label-sharing aside, it's no wonder Eskmo is Amon Tobin's kindred production partner; everything the Bay Area tunesmith and recent Ninja Tune signee creates just sounds amazing. Even on his b-sides, like "Come Back" from the Cloudlight EP, preciously crafted organic textures writhe and squirm underneath smashing rhythms made of an amalgam of living samples and field recordings—the total number of which only producer Brendan Angelides is likely to know. Couple that with the song's swelling synth melodies and Eskmo's disembodied rasp, and you've got a production many music makers would love to include on their proper full-length. Angelides' debut self-titled album drops on October 19, but if you feel so inclined to catch him before that, check out his upcoming tour dates here.
We've been following the work coming from the side project of Oneohtrix Point Never's Daniel Lopatin and Joel Ford of Tigercity, Games, for a good while now (you can find those tunes here and here), so we're pretty excited to hear about the Brooklyn production duo's debut EP finally surfacing this Read more »
Today is September 9—no big deal, right? Read more »
After seven years of remaining relatively off the radar, veteran trip-hop group Massive Attack dropped its fifth full-length studio album, Heligoland, earlier this year. Now back in the swing of things, producers Robert Del Naja and Grant Marshall have their follow-up already scheduled for release this November. Read more »
As pointed out in last week's write up for Gold Panda's "Snow & Taxis" track (there's a video for it now, here), we showed up a tad late to the Essex-based producer's party due in part to a moniker that evoked certain indie genres we'd just as soon leave be. Thankfully, we were totally wrong about that, as evidenced on the new music we've been catching off his forthcoming debut full-length, Lucky Shiner. The latest number to help bolster our opinion of Gold Panda is "Same Dream China," a song that holds tight to flitting micro-samples and dense layers of melody that float high over a bouncing rhythm. It reminds us of some of Nobukazu Takemura's more playful, plinking compositions, if they were re-imagined by, say, The Field. As it turns out, that makes perfect sense, as The Field had Gold Panda rework his "I Have the Moon, You Have the Internet" track last year, and with excellent results. We should have known. You can stream Lucky Shiner in full before it's released on October 12, here.
The folks at Bristol imprint Punch Drunk may not be a wordy bunch—the press release for Superisk's Find Your Way EP barely cracks a few lines—but the Peverelist-fronted label can always be counted upon to deliver some high quality bass music. The Find Your Way EP drops next week, and includes the wonky original along with a remix from fellow Bristolian Mensah, but you can check it out now, along with the vinyl artwork, after the jump. Read more »
This fuzzy, funky piece of vintage disco comes to us courtesy of The Fatback Band's 1976 chart-topping hit "(Do the) Spanish Hustle)" and the man who saw fit to rework it to his liking, NYC's master editor Danny Krivit (pictured above). This number is part of Krivit's forthcoming second volume of upbeat soul, funk, and disco edits for Strut, which will see the light of day come September 14. Along with this lengthy version of "Spanish Hustle," the renowned veteran and proclaimed King of Edits includes his own takes on Chairmen of the Board's "Life & Death," Patrice Rushen's "Music of the Earth," and Black Blood's "Chicano," among others, on Edits by Mr. K Vol. 2. You can check out more about the forthcoming compilation and watch Krivit tell the story of his DJ/production career here.
This could be the biggest electronic music festival we've ever heard of. Starting Tuesday, September 23, the massive, 13-week event known as The Warehouse Project will present its fifth annual festival—monopolizing Manchester nightlife every weekend leading up to New Year's Day. Read more »
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