This slick reworked version of the track from London pair Silk 86 (pictured above) counts the second time The Wolf's "Mr. Invisible" has appeared in our Downloads section—Hypercolour affiliate James Welsh's version of the tune having landed back in April. Upon being revisited by Silk 86, "Mr. Invsible" (originally released via the Silver Bear label in May) is hereturned into a deep house groover where shuffling percussion and sweeping chords meet the echoes of airy vocals and light melodic flourishes. In the end, it all makes for a rather alluring effort from the budding Silk 86 pair, who are also set to drop a free EP via its own SoundCloud page before the month is through.
Downloads - Page 5
Budding Liverpool beatmaker SertOne (who recently appeared in our Downloads section) is preparing to release a new EP under his CL Moons alias next week. To help spread the word of the footwork-oriented project's debut outing, the producer has sent along H-SIK's remix of "Trippin," the forthcoming 1992 EP's lead track. On his rework, the Dutch producer strips back the rush of rhythms used in Cl Moons' original, electing to instead focus on a pulsating bassline, buzzing synth stabs, and only the most efficient layers of sharp percussion. Featuring five ravey, footwork-indebted originals and four remixes (including H-SIK's featured here), CL Moons' 1992 will see an official release via the Cosmonostro label on August 11.
The Shoes' rushing "B-More Blind" comes from HUMAN [RE]SOURCES Vol. 1, a new digital compilation put together by the freshly launched Parisian label [re]sources. Joining 13 other bootlegs, edits, and originals from fellow French production outfits, The Shoes' contribution to the collection takes on Stevie Wonder's "Living for the City," reshaping the classic soul tune into a driving club number, flushed with B-More-indebted breaks and layers of screaming synths. Out today, the entire HUMAN [RE]SOURCES Vol. 1 compilation can be streamed in full after the jump and downloaded for free here. Read more »
Having formerly released under the name Baobab, North Carolina-based electronic musician (and author of philosophical texts) Phil Torres will release a new EP later this month under the name crowdsource. Pulled from his four-track Bit Rot Blues EP is "Gone Up," a lighthearted production which gleefully plays around with the house formula. Pulsing around 110 bpm, the tune folds skipping hats, a simple clap, and a restless bass sequence into its run, eventually landing on bits of syncopated MIDI piano and an ever-evolving series of somewhat unconventional vocal samples as the breezy track moves along. An intriguing first peek into crowdsource's artistic world, "Gone Up" will be joined by three other exuberant reinterpretations of house when the Bit Rot Blues EP sees its release on August 18 via Seattle's ever-expanding Hush Hush label.
The pairing of Parisian future-funk specialist Mr. Flash and UK producer (and member of the innovative Instra:mental duo) Jon Convex is a somewhat unexpected one, but the latter's remix of "Midnight Blue" is certainly hard to argue with. On it, Convex (a former XLR8R podcast contributor) wraps the original track's vocals around a robust rhythmic base that melds together a heavy house bounce with a broad helping of space-age percussion. Furthermore, the rework finds ways to fit pieces of Mr. Flash's original in an airy space above the remix's chugging rhythmic programming, which maintains a propulsive pace across the track's five-plus-minute run. Convex's remix is part of the Midnight Blue EP package (the track having originally appeared on Mr. Flash's Sonic Crusader LP earlier this year), out now via Ed Banger/Because Music.
Along with fellow Los Angeles producers Dreams and Arkitect, Devin Ronneberg (a.k.a. Aerial) is a co-head of the fledgling Private Selection label, from which the trio of young talents push their brand of future-forward club music. "Strut" is the latest such offering from Ronneberg's Aerial alias; a precise production, "Strut" coalesces around punchy percussion and tough rhythmic patterns, from which sharp synths and muffled vocal chops rise to the surface throughout the course of the tune's four-plus-minute run.
Fast-growing Canadian outpost King Deluxe is set to issue the Blackouts EP from Slovakian producer Ink Midget later this month. Presenting five bass-focused electronic hybrids in its run, the dramatic "Dip" appears towards the end of the forthcoming effort. The track begins with a loose bounce before "Dip" quickly builds with a re-pitched vocal melody which combines forces with interwoven layers of ravey synths, resulting in a production that is dense with sonic elements while still keeping much of its focus on the dancefloor. Officially out on August 25, Ink Midget's Blackouts EP can be previewed after the jump. Read more »
XLR8R Downloads Player