The frenetic dubstep of Robot Koch gets the remix treatment from a mysterious young buck from Los Angeles. Taking the original from Koch's forthcoming album, Death Star Droid, Shlohmo slows its breakneck pace, creating a piece where the sampled Angolan vocal stems are still evident, but put to a dark, low-slung bass slice. A piece meant for blunted, late-night drives through the 'hood, Shlohmo's remix of "Gorom Sen" shows that the 19-year-old has earned his upcoming mini-album on Friends of Friends.
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Dave Huismans, who works under the monikers of 2562 and A Made Up Sound, has made a startling rise to the top ranks of dubstep and deep, dubby house within only a few years. As 2562, Huismans creates atmospheric dubstep that has as much to do with shuffling Detroit house and dub-techno as it does with the current Hyperdub roster. In front of a dusty dubstep beat, "Flashback" features a lush, two-note synth line reminiscent of Theo Parrish, spacy squelches, breathtaking polyrhythms, and synth flourishes that somehow recall Aril Brikha's first full-length. There's an undeniably organic sonic quality to much of Huisman's work, and "Flashback" is definitely not a departure from his oeuvre. Taken from his new album Unbalance.
If Yay Area native D-Lo hadn't proved he knew how to get dumb with his smash hit "No Hoe," he'll definitely prove it with this new joint. With DJ Fresh's nasty, non-traditional rhythmic structures providing the track's backbone, D-Lo spits about hoes, guns, and fucking your girlfriend behind your back. Mr. Tower provides the strongest verse on the track, but generally, this is some dope hyphy business that'll definitely be blasting in your 'hood in the coming months.
The epic opener of Etienne Jaumet's Night Music is cut in half by Jaumet himself. The looped, occasionally acidy arpeggiations of the original are kept in place, as are the synthesized saxophone melody and the track's pastoral ending. Really, all that's changed is the length. Whether the edit is a nod to the dancefloor or those listeners with short attention spans, it is a welcome bit of editing from the French loop-master. For more on Jaumet and his influences, check this feature out.
What starts out dark, ominous, and sounding like ESG's "UFO" re-imagined by The Knife slowly evolves into a lonely ballad on "Blinking Pigs," a poignant piece of electro-pop from Swedish outfit Little Dragon. The song, taken from their recently released Machine Dreams album, features the band's trademark bass squelches, pattering drum beat, and swirling synth work all coalesced under singer Yukimi Nagano's subtly soulful vocal delivery.
Young Harlem transplant Mike Slott crafts glitchy, futuristic beats that fall somewhere between dubstep, hip-hop, and old-school breaks. What's most interesting about "40 Winx," then, is that it is so soothing, featuring bass sounds that recall Ellen Allien, and shimmering high frequency loops that can best be described as dreamy. Fresh off of a collaborative effort with Hudson Mohawke, the rest of Slott's latest mini-album, titled Lucky 9teen, is an exercise in creating ambient music from a jazzy, hip-hop perspective; in other words, the Irish native proves himself to be one of the more versatile and interesting producers working right now.
Given the success of The Juan Maclean's "Happy House," it's no surprise that the DFA decided to release a load of new remixes of the disco-house banger. Dance-pop auteurs VHS or BETA actually disco up the track a bit more, making the handclaps chunkier, adding some laser-synth stabs, and inserting a violin run that screams 1979 at Studio 54. While the remix doesn't really alter the original enough to make it a great departure, it adds an element of campy disco fun to an already excellent piece of dance music, and with other remixes from Will Saul & Mike Monday, Chateau Flight, and Lazaro Casanova, there are plenty of reasons to check out this new remix package.
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