For the next release on the up-and-coming LuckyMe imprint (whose upcoming parties with the UK's Citinite label we recently discovered), world traveler Mike Slott has crafted his first solo EP for the Glasgow label which follows his remix work for Flying Lotus, his collaboration with Hudson Mohawke, Heralds of Change, and many other notable projects. Taken from said EP, "23 Halfs" is a slow-moving number rife with space-noise, warbling bass, and a variety of influences from jazz to R&B. It's a short, tasty morsel of what's to come from a young producer with a seeming plethora of new ideas.
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Brooklyn-via-Turkey artisan Deniz Kurtel has applied her classically trained music knowledge and years of experience working with sculpture to one of her first forays into electronic music production—a 10-minute epic of minimal techno set amongst a bubbling, ambient soundscape. Sounding something like The Field re-imagining Eno's Music for Airports, "Fall" is taken from her first solo release for the Wolf + Lamb camp, an EP entitled Whisper, and precedes a debut album to be seen next year on Crosstown Rebels.
Denmark's Syntaks craft smoldering, shimmering ambient sounds that are akin to Aphex Twin, but a bit less self-consciously weird and more self-consciously gorgeous. "Sudden Dream" is from their Mistral Moon EP, which Ghostly has decided to give away for free to whet peoples' appetites for the duo's debut, Ylajali, which comes out on November 3. If the track's crystalline production and hypnotic loops are indicative of the upcoming album's sonic aesthetic, then we are certainly going to hear a lot more about Syntaks in the coming months.
House and techno alchemists Pezzner and Lusine turn found Seattle sounds into an eerie ambient track in the course of five hours. For our third installment of our occasional Tune in an Afternoon series, we challenged Seattle producers Dave Pezzner (a.k.a. Pezzner) and Jeff McIlwain (a.k.a. Lusine) to record a track using mainly sounds collected on a light-rail trip to the waterfront. Watch here as they talk to birds, use secret microphones, and ponder bpms, and then download the track!
Hot on the heels of Friends of Friends Vol. 2 (if you need a refresher, we posted a couple of mp3s from the release), the LA-based label is coming back with the Self Awakening EP from Texan Ernest Gonzales. Featuring remixes by Faunts, Yppah, and Mexicans with Guns, the EP should also whet appetites for Gonzales' upcoming full-length, slated for release on FoF early next year. In the meantime, they've offered up the EP's title track for download—its melancholy guitar work recalls bands like Tristeza, but Gonzales' music is also backed by peppy laptop beats and glazed with a warm Nintendo fuzz.
Los Angeles beatsmith and FlyLo compatriot Samiyam is yet another foot soldier in Southern California's army of electro-crunk futurists. Taken from the Cinnaman- and Jay Scarlett-compiled compilation Beat Dimensions 2, "Swamp Tarts" glides on a stuttering beat while speaker-rattling synth stabs and woozy melodies creep into your earlobes. Blunted beats for 2010 and beyond.
Known to many as Helado Negro or as collaborator with Guillermo Scott Herren on Savath y Savalas, Brooklyn-based overachiever Roberto Carlos Lange has contributed his productions to Volume 5 of Asthmatic Kitty's ongoing Library Catalog Music Series. His 12-track exploration of elongated rhythms, warped analog effects, and found-sound collages, entitled Music for Memory, is a stand-up addition to the series' other installments (we previously shared tracks from Volumes 1 and 3). Here, "Amazonian Pacific" starts out like a warbled Flying Lotus b-side before it descends into rhythmic field recordings, vocal loops, and reverberated machine noise; returning occasionally to friendlier, head-nodding beats.
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