Brooklyn's Mux Mool makes some truly idiosyncratic music, layering synth sounds that belong in off-kilter Italo tracks with beats that come straight from hip-hop. On "Ballad of Gloria Featherbottom," cosmic arpeggiations are placed atop weird harpsichord-like synths to truly epic effect, and the percussion seems culled from drum-line samples augmented by deep kicks. Set course for the moon with this one, which is out now on the Ghostly Presents Moodgadget: The Nocturnal Suite compilation.
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Post-punk psychedelic warriors OOIOO have just released a new album, so they've offered this extraordinary piece as a little taste. Featuring a minimal vocal repetition, sex-funk bass, cock-rock guitar solos, and distorted exclamatory lead vocals, "OOIOO-OOIAH" is totally weird and addictive. Little synth bits come in here and there, while the track's live percussion keeps an organic feel that is most unexpected. Much like frontwoman Yoshimi's work with Eye and the other freakonauts of Boredoms, OOIOO sonically questions the boundaries between minimal/maximal, acoustic/electronic, and organic/synthetic.
Tigerbeat6 offshoot Tigerbass has really ramped up its release schedule as of late, seemingly dropping a new collection of raved-up and tweaked-out bangers every few weeks. The new Jealous Swingers EP from UK-born and Berlin-based Genuine Guy is no exception. "The Illegible Bachelor" marries old-school acid squelch with swirling synths and an '80s funk bassline; bolstered by a bouncy house beat, the track should help liven up your Monday. Hell, it should liven up your whole week.
Taken from their debut album, This Great Pressure, "In America" finds scatterbrained LA duo Jogger artfully combining wistful indie-folk songwriting with a myriad of buzzing bleeps, bloops, and Casio beats. Eventually blooming into a toe-tapping dance number reminiscent of Jimmy Tamborello's various projects, it's easy to see why Daedelus made This Great Pressure the first release on his new Magical Properties imprint.
With everyone gearing up for Halloween tomorrow, this gothy disco track from Chicago's Gatekeeper is perfect for getting into the spook-tacular spirit. Taken from their new Optimus Maximus EP and sounding something like a collaboration between John Carpenter and Ministry, "Forgotten" will certainly appease black-clad creatures of the night, not to mention fans of fine disco everywhere.
This tune from Argentinian ragga/hip-hop MC Alika and her band Nueva Alianza, featuring some extra sabor courtesy of cumbia prodigy El Hijo de la Cumbia, has been making the internet rounds for awhile now but it's finally been given a proper release on Sonido Martines presents: Nueva Cumbia Argentina - The Buenos Aires Implosion!, a new compilation on DJ /rupture's Soot label. Curated by record-digger extraordinaire Sonido Martines, the 13-track collection further documents Argentina's ongoing love affair with new, experimental, and electronic cumbia sounds and also offers music from Chancha Vía Circuito, Princesa, Daleduro, scene progenitor DJ Taz, and more.
Taken off the second compilation from Swiss nu-disco acolytes Relish, a release which also features work from Headman and Prins Thomas among others, "10:01" is a sprawling piece of cosmic disco performed by recent label signees, The C90s. The UK duo may have mostly remixes under their belt to date, but on this track, one of their few originals, The C90s sound like they've been nestled in a bed of handclaps, delayed synths, bouncing beats, and funky bass work since birth—only leaving their comfy home to run around with the likes of Holy Ghost!, Tronik Youth, and Todd Terje.
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