In celebration of the label's second release, LA's Culprit label is giving the world a fantastic slice of music from the artists who populated their first outing. Hot Natured (a.k.a. Lee Foss and Jamie Jones) certainly turned heads with the h.e.a.d.s. EP earlier this year (for more Jones-related goodness, also peep his new album, Don't You Remember the Future), and here they team up again, so if you like what's going down you can go back and grab their EP along with the next Culprit release from Kenneth James Gibson, a.k.a. [a]pendics.shuffle. Gibson's Animals Tonight comes out this week.
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Here at XLR8R, we've had our ears blown away by the recent skweee sounds coming from Scandinavia, evidenced by our feature on the genre in issue 127. A new compilation from one of the genre's flagship labels features this monster, a squeaky, anthemic take on dubstep rhythms featuring frenetic synth modulations and acidy flourishes. Watch out for future Sprutbass releases, as his diversity of influences and textures is quickly making him one of the stars of the Oslo scene.
Imagine Aphex Twin, Enya, and Slowdive getting together to toke some reefer and rub crystals on their foreheads. The sonic vibrations formed by such a gathering might result in something like port-royal's "hva (failed revolutions),"the first track on dying in time, a new album out soon on Oakland's n5md label. A real dreamy number, the piece is full of synth swells, ethereal watery vocals, clicks, and kicks that are perfect for autumn daydreams. And if you're in the mood for more otherworldly sounds, check out the podcast n5md put together for us awhile back.
San Francisco's androgynous party sex band Sugar & Gold have just unleashed their cover of the somewhat laughable Hi-NRG classic, Fancy's "Slice Me Nice." With a fuller, brighter sound than the original, along with vocals that are considerably less creepy than those of schlag-crooner Manfred Alois Perilano, the track actually makes the connection between cake and sex work quite well. With a second album and a massive tour coming up, Sugar & Gold are poised to become the next Gravy Train!!!, but with a bit more disco in their pants (or lack thereof). Sugar & Gold U.S. Tour Dates: Oct. 8 - Eagle Tavern - San Francisco, CA Oct. 9 - Someday Lounge - Portland, OR Oct. 10 - The Vera Project - Seattle, WA Oct. 13 - The Urban Lounge - Salt Lake City, UT Oct. 15 - The Replay - Lawrence, KS Oct. 16 - UoW-Madison Terrace - Madison, WI Oct. 17 - The Hideout - Chicago, IL Oct. 18 - Cosmic Charlie's - Lexington, KY Oct. 19 - The Mohawk - Buffalo, NY Oct. 20 - Popgun CMJ Showcase - New York, NY Oct. 25 - The Triple - Richmond, VA Oct. 26 - Broadways - Asheville, NC Oct. 27 - Local 506 - Chapel Hill, NC Oct. 29 - The Caledonia Lounge - Athens, GA Oct. 30 - The 529 - Atlanta, GA Oct. 31 - The Bottletree Cafe - Birmingham, AL Nov. 1 - The Hi Tone - Memphis, TN Nov. 2 - The Exchange - Hot Springs, AR Nov. 3 - The Hi-Lo - Oklahoma City, OK Nov. 4 - The Boiler Room - Denton, TX Nov. 5 - Mango's - Houston, TX Nov. 6 - The Limelight - San Antonio, TX Nov. 7 - Fun Fun Fun Fest @ Waterloo - Austin, TX Nov. 10 - Club Congress - Tucson, AZ Nov. 12 - The Beauty Bar - San Diego, CA Nov. 13 - Echoplex - Los Angeles, CA
Cologne's Coma are relative newcomers to the techno scene, but are bringing the goods in a major way. Here, the duo delivers a melancholic, slower slice, with a sound that carries Lawrence's emotional weight while maintaining a somewhat cold, shimmering exterior. While the track's harmonic content shows that these young bucks have obviously studied their Superpitcher records, their sound also has a weirdly feminine quality, sometimes reminding one of Ellen Allien or Fever Ray. Finally, a new gem emerges from Cologne!
Jay Haze's Fuckpony moniker has always put out more Chicago-style jams than Berlin rave-ups, and "A Pills Medley" doesn't stray far from this pattern, which is a very good thing. Replete with an excellent organ synth line, some lovely piano work, and truly frenetic percussion, this track sounds like what Rheji Burrell might be doing if he was still making tracks, or if Jamal Moss quit making acid hypnotics and went deep house. Taken from the upcoming Fuckpony album, Let The Love Flow, this is sure to whet fans' appetites for the record, which drops in late October.
Okay, so you're kind of sick of the neon-laser-step-house that has become the most popular electronic "genre" since trance music started hitting the Billboard charts with drunken abandon many moons ago. But hear us out on the Bay Area's Bassnectar—this leading single from his upcoming album is actually pretty damn good, combining the best of electro and dubstep with some chopped and screwed lyrics spat by Seasunz. Even if you think you're sick of this style, it is almost certain that you'll be pumping this track in your jeep on those late-night drives.
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