Another moniker of jazzy house composer-producer Kuniyuki Takahashi, Koss' works exist somewhere between Stars of the Lid and the Chain Reaction discography, and "Ocean Waves" is exemplary in this respect. Featuring an insistent kick and bass rumble behind warm, soaring synth drones, echoey piano tinklings, and high-frequency hisses, the piece is the aural equivalent of a sunset, its thudding-yet-sentimental ambience perfect for a mix filled with Peter Zummo, Fluxion, and Brian Eno. Taken from the upcoming international release of his 2008 Japan-only Mule album, Ancient Rain.
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Fresh-faced beatmaker and Brainfeeder mix contributor Alex B sent over this premiere of a track from his forthcoming debut, Moments. Entitled "You and I Both Know," this diddy is a brief look into the type of herky-jerky rhythms and smooth, spaced-out sonics to be heard through the album's 17 tracks. Within two minutes we are treated to a tweaked soul loop, delayed vocal stabs, sporadic percussive elements, and swirling synth arpeggiations wrapped around a descending bass melody. It all comes off sounding more like an interlude between larger movements, but we can only know for sure when Moments is released April 6 via Alex B's own Elm and Oak imprint.
Brooklyn's Lando Kal is one half of the Lazer Sword crew, so while the bass-blap of the latter is certainly reflected in the bass tones of his solo project, the beats are more indebted to electro-house. "Fuzzy Ankles" is a slow-burning number, replete with a hypnotically glacial house beat, menacing synths, and high-frequency shimmers of sound. With its bit of squelch and a clean breakdown, the track is perfect for late-night hi-jinks, when everyone on the floor is loaded to the gills and ready to get down with some serious beats. Taken from Lando's new split 12" with the other half of Lazer Sword, Low Limit, out now on Numbers.
Together, edIT, Boreta, and Ooah have amassed a large number of remixes, singles, and mixtapes, but May 25 will mark the release of Drink the Sea, the debut full-length from LA's veteran blap collective. The Glitch Mob opted to drop the album on its own imprint, Glass Air, and has also given us the premiere of the album's first single, "Drive It Like You Stole It." If this track is anything, it's an anthem. Amidst a trademark head-nodding beat heavy with slap, a number of synths vie for the forefront position—like a team of buglers announcing the coming of the beat scene's heroes—before giving way to an arsenal of heavy percussion and reverberated vocal samples.
1989's "Do You Know Who You Are" might be one of the best deep Chicago cuts ever recorded, its monstrous kicks, bright wandering synths, and deliciously delayed guitars creating a blueprint for all true deep house to come, from the Burrell brothers to the almighty Kerri Chandler. Pile on synth buzz, near-subsonic bass, and watery harmonies, and there's no denying the piece's greatness, which makes it all the better that Trax and Rush Hour have just re-released Virgo's only eponymous album. Featuring new artwork and tracks remastered for maximum loudness, the release shows that Rush Hour is fast becoming the best archival house label in the world.
A percussive sample loop introduces us to Keepaway and the first song on the band's debut EP, Baby Style. The Brooklyn-based indie trio has penned a sweeping and poignant song with "Yellow Wings"—one that isn't afraid to utilize new technology and sonic approaches in its tried-and-true sound. Reverberated guitar textures meet with snare and tom rolls while the vocals declare, "I think I finally know what I want/I want to be in two places at once." It's a fitting statement for the song's accompanying music video, which features the hilariously low-budget performance of an amateur magician.
Preceding his release with Wolf + Lamb, the forthcoming Chicago EP, London's jozif offered up this unreleased cut of straight tech heat. "Me Loko" has plenty of great things going for it: a hard-hitting dance beat, bouncing reverberated percussion, random brass flourishes, and dollops of rumbling bass spread all throughout the track. It provides an interesting counterpart to the more soulful, antiquated acoustics to be found on jozif's new EP, set for release on April 5.
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