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Given that he's ex-bassist of Ladytron, the electroclash dark horse of Europe, it's surprising that Pop Levi would come up with an effervescent album about falling in love. "Never Never Love," off of his second full-length of the same name, opens with a Missy Elliot-style beat that bumps right into Levi's electrified falsetto vocal staccatos. His light lyrics ("Never never love love love, never never love love love") bounce teasingly through a sweet melody peppered with hand-claps, bubbles, and edgy rock guitars. Flamboyant and fun—it's enough to make a Wham! album jealous. Lulu McAllister
In the rightfully named “Interview at Honolulu,” listeners are swept away to a soothing island paradise with lone's dreamy music. The soaring, atmospheric tones and deliberately placed, synths are evocative of acts likes of Boards of Canada, while the hazy, syncopated beats and forward-thinking analog feel suggests the sounds of Flying Lotus. On his recent Dealmaker Records release, Lumurian, lone causes your mind to wander off to a pleasurable place while dropping dense, hip-hop beats, appealing to both spacey idealists and head-nodders.
Two of Balearic disco's undisputed greats Read more »
Pets on Prozac may hail from the bleak and freezing Scandinavia (from Finland, to be exact), but they aren't doling out melancholy downers via abstract compositions or dark techno. Rather, the duo works with upbeat, house-influenced dance tracks that would suit the Discobelle crowd–and they sound as though they've had a blast making them. Much laptop-generated mayhem occurs on this number, which Pets describe as "tropical-house-meets-gypsy-tech." Fans of this track should also check the Ruff Ruffian EP, just released today.
As usual, Poni Hoax is all over the musical map on its second full-length, the Joakim-produced Images of Sigrid. Part disco, part new wave, very electronic, and with its fair share of guitar riffage, the album slides from one musical style to another with grand transitions that tend to include lots of cymbal crashes. Best place to start is with the anthemic "Antibodies," which, according to the album’s press kit, sounds a bit like Nick Cave and Giorgio Moroder. Wrap your heads around that while hitting the download button. Photo by Maria Ziegelbock.
Have we just reached the bonus round in Super Mario? No, those twinkling electronics you hear are just the love-laced experimental world of Ernest Gonzales. His album, Lullaby, is just that–a dreamy dedication to his unborn daughter, Sophia. "2004 was a year of much change and transition in my life... I fell in love with the woman that would become my wife, and not too much longer after that, we found out we were going to have a baby,” he said in a press release. Having ditched his former DJ name, Theory of Everything (and the hip-hop style that went with it), Gonzales has arrived at a much more innocent place. Lullaby was originally released in the summer of 2004 on limited edition 3” CDs. Now, Gonzales is digitally re-releasing the album on Oct. 21, through Exponential, as well as throwing in a few remixes by friends such as Mexicans with Guns, Zoon van snooK, Cook 1132, and Production Unit Zero. Lulu McAllister
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