LA's Busdriver is one of the more hated MCs in the game, with his quirky spitting style and harsh words for other rappers' excesses and blandness. With battle star Nocando, "Least Favorite Rapper" finds Busdriver tackling these issues head on, tossing off insults to Lil' Wayne, New Boyz, and a load of other 'fashionable' hip-hop artists and trends. It makes sense, then, that MegMan of recently reunited experimental hip-hop troupe Anti-Pop Consortium has remixed the track, crafting a more electronic, synth-driven sound in place of the dusty hip-hop samples that ruled the original. With bits of weird squelch above significantly deeper kicks, MegMan has delivered a real treat with the help of the original's searing rhymes.
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San Francisco's NastyNasty is one of the Bay's up-and-coming masters of bass, and on "No Names," he kicks it down with dark bass rumblings, synth blips, and some truly impressive polyrhythmic intensity. Though the genre can often get a bit tired, this track is particularly noteworthy because of a prominent Marvin Gaye vocal sample, which turns a well-done but standard bass track into a much more sentimental affair, with a resonance approaching that of Burial. Next month sees a new single on Frite Nite, featuring remixes from wonky leftfield bass producer Slugabed, among others.
Though music aficionados have been calling disco edits the 'new electroclash' for a while now, they continue to proliferate like mushrooms, and despite the naysayers, some of the edits are quite tasty. Here, Portugal's Social Disco Club takes The Sarr Band's 1978 obscurity "Magic Mandrake," pumps up the cosmic synths, stretches the beat out significantly, and cuts much of the silliness out of the vocal parts, making the track infinitely more sexy. With releases on the venerable Bear Funk label and accolades from Pilooski and diskJokke, Social Disco Club is setting himself up to inherit the Idjut Boys' throne.
Belgium's excellently named The Brown Acid gets the remix treatment from Philly's king of street bass, Starkey, who transforms the electric soul-funk of the original into a monstrous, grimey tune, with bits of Baltimore club and stuttering dubstep thrown in for good measure. With source material so soulful, it would be hard to mess up a remix of "Try Humanity," and Starkey delivers, with lush, dark synth lines, a shimmer of juke, and bass so high in the mix that it pounds you.
Irish fidget-er Detboi contributed his Lil John-indebted track "Get Low" to the first compilation from Joshua 'Hervé' Harve's (one half of The Count & Sinden) Cheap Thrills label. The hyperactive rave-up has everything a song called "Get Low" should—wonky basslines, sporadic breakbeats, tweaked vocal loops, and an unflinching dedication to making you move. Cheap Thrills' massive, double-disc compilation, featuring tracks from Jack Beats, Fake Blood, Trevor Loveys, and more, is out now.
One part of Japan's Force of Nature follows in the footsteps of his collaborations with DJ Kent, crafting a piece of beardo house that would feel right at home in a Prins Thomas mix. With a mesmerizing bass loop, crisp organic percussion, and totally rad guitar lines, "Unfaithful" brings the cosmic synth parade while maintaining a cocky foot in guitar heaven. The slamming kicks make it perfect for the club, too, so be prepared to hear this playing at all the cool off-kilter disco parties you'll attend in the next few months.
Lifted from their self-titled debut, the R&B-inspired psych-disco of The Phenomenal Handclap Band's "You'll Disappear" gets an even larger dose of spacey effects and slow-burning grooves on Lindstrøm collaborator Prins Thomas' epic remix. The track, pulled from the forthcoming 15 to 20/You'll Disappear remix album, finds Thomas staying true to the Handclap Band's original antique sounds—making the composition seem more like a lengthy edit than an indulgent re-work. Still, the changes made by the Norwegian producer fit nicely alongside the album's other featured remixers The Glimmers, Horse Meat Disco, and Anthony Mansfield.
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