Fresh of a lengthy tour of the U.S. and Europe, David Wang (a.k.a. Mochipet) will return to his home in the Bay Area just in time for a record release party in honor of his Michrophonepet album on August 9. The man who incorporates everything from dubstep to techno to hip-hop into his tracks and started his musical career playing metal guitar will wow the crowd alongside Freestyle Fellowship's Mykah9, Alphapup member Mike Boo, Raashan of Crown City Rockers, and others. And here, to further peak your interest, is a remix of the track "Rambunktion," off the new album, featuring the aforementioned Mike Boo, Taiwankid, and two-man rap machine 215TFK. Photo by Alexander Warnow.
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After a five-month delay, Curumin's sophomore full-length, JapanPopShow, is ready to drop on October 7 and finds the Brazil-based producer weaving a few strains of pop into his dense instrumentation. The word “compacto” doesn't yield any results in an online translation program, and if you don't speak Portuguese you won't know what this guy is singing about, but everyone can enjoy the mellow guitar strumming and dubbed-out rhythms that make up this track, along with a little scratching and vocal manipulation. This song makes us want to grab a cocktail and hit the beach.
In the words of Takka Takka member Gabe Levine, the band's new record, Migration, is about experimenting with sound and form, being in places one doesn't belong, honesty, and his mother. What that adds up to on the track "Silence" is a lyrical landscape about loneliness layered down over catchy guitar hooks and snares. The band, who has been playing together since 2004, commissioned Sean Greenhalgh (Clap Your Hands Say Yeah) to produce the album, which was recorded in Brooklyn and also features performances by The National's Bryan Devendorf and Lee Sargent of CYHSY. It's indie-pop at its most ambitious, and we're loving every layer of this tune.
A new signee to Carpark Records, Lesser Gonzalez Alvarez boasts not only a catchy name, but also the ability to dabble in multiple genres adeptly. The Baltimore resident has done electro-pop with his now-defunct Cache Cache outfit, played in a folks music band, and makes electronic music on the side with his project The Ruby Stallion Ensemble. For his debut album under his given name, Gonzalez turns to acoustic guitars and simple melodies with Why is Bear Billowing?, set for release in mid-August. All that plus he's a member of Baltimore's esteemed Wham City collective with Dan Deacon. We imagine his iCal is pretty booked up at this point.
One has to expect good things from an outfit that goes by the name Doomtree. The Minneapolis crew of producers and rappers is nine men strong and finally, the members have united for their first-ever all-inclusive release. Doomtree is, at its core, a hip-hop album, but the crew brings in elements from multiple genres, from indie-rock to punk-rock. "Game Over" features a hard-hitting beat, bubbling basslines, scratches, and crisply uttered lyrics.
This track catches the ear immediately with its combination of staccato synths, breathy vocals, and ghostly reverb that all appear within the first thirty seconds of the song, and it's a good introduction to what the listener is in for with Fight Bite. The Denton, TX-based band–formed only late last year–combine founding member Leanne Macomber's pension for sad love ballads with the songwriting capabilities of Jeff Louis. The latter has a knack for weaving melancholy harmonies around and multi-instrumental layers around Macomber's original work, adding a keyboard strain here, a xylophone there, and a few drum machines as well. Minor chords reign supreme here, and if you're not in tears by the end of this track, you must truly be dead inside.
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